{"id":18410,"date":"2008-10-10T00:15:54","date_gmt":"2008-10-09T16:15:54","guid":{"rendered":"http:\/\/benayoun.com\/moben\/2008\/10\/10\/lintention-artistique-a-loeuvre\/"},"modified":"2021-10-13T14:48:11","modified_gmt":"2021-10-13T06:48:11","slug":"lintention-artistique-a-loeuvre","status":"publish","type":"post","link":"https:\/\/benayoun.com\/fr\/2008\/10\/10\/lintention-artistique-a-loeuvre\/","title":{"rendered":"L&#8217;intention artistique \u00e0 l&#8217;oeuvre, Hypoth\u00e8ses pour un passage \u00e0 l&#8217;acte"},"content":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]<\/p>\n<h2><strong>Doctorate thesis, presented in la Sorbonne, December 6th 2008.<\/strong><\/h2>\n<p>sous la direction de: Prof. Anne-Marie Duguet, Universit\u00e9 Paris 1<\/p>\n<p>Jury:<\/p>\n<ul>\n<li>Hubertus von Amelunxen, professeur, \u00c9cole Europ\u00e9enne Sup\u00e9rieure de l\u2019Image, Poitiers Angoul\u00eame<\/li>\n<li>Louis Bec, artiste<\/li>\n<li>Derrick de Kerckhove, Professeur, Universit\u00e9 de Toronto, Universit\u00e9 de Naples<\/li>\n<li>Jean da Silva, Professeur, Universit\u00e9 Paris 1<\/li>\n<\/ul>\n<h2>L&#8217;intention artistique \u00e0 l&#8217;\u0153uvre, hypoth\u00e8ses pour un passage \u00e0 l&#8217;acte<\/h2>\n<p>Le texte int\u00e9gral a \u00e9t\u00e9 publi\u00e9 en version\u00a0 bilingue (Anglais Fran\u00e7ais) augment\u00e9 des rapports\u00a0 de jurys chez Fyp Editions, 2011 sous le titre:\u00a0<em>The Dump, 207 hypoth\u00e8ses pour un passage \u00e0 l&#8217;acte<\/em>.<br \/>\nLe blog original en ligne:\u00a0<a href=\"http:\/\/the-dump.net\">the-Dump.net<\/a><\/p>\n<h3>R\u00e9sum\u00e9<\/h3>\n<p>Le processus de cr\u00e9ation comprend une face cach\u00e9e par nature : c\u2019est l\u2019ensemble de ce qui est \u00e9cart\u00e9 par l\u2019artiste dans le choix et la conception de l\u2019ouvrage \u00e0 r\u00e9aliser.<br \/>\nLe projet de cette recherche appliqu\u00e9e est de mettre en \u0153uvre ce processus d\u2019\u00e9laboration et de s\u00e9lection, donnant ainsi \u00e0 voir et \u00e0 lire ce qui constitue le faisceau de motivations, de d\u00e9terminations et d\u2019h\u00e9sitations dans le passage \u00e0 l\u2019acte artistique ; \u00e0 la fois en de\u00e7\u00e0 et en amont de l\u2019art, l\u00e0 o\u00f9 la chose se discute encore, de fa\u00e7on quasi impudique, \u00e0 voix haute. Le discours accompagne et pr\u00e9c\u00e8de la mise en \u0153uvre pour devenir ici, \u00e0 l\u2019usure, l\u2019objet r\u00e9alis\u00e9, construit de mots qui n\u2019en finissent plus d\u2019\u00e9puiser les possibles de l\u2019action, de r\u00e9aliser dans l\u2019\u00e9crit le processus de conception.<br \/>\nLe proc\u00e9d\u00e9 inclut son auto-analyse, sa remise en cause perp\u00e9tuelle, \u00e0 l\u2019image du r\u00e9el qui, ne semblant jamais se satisfaire de son dernier \u00e9nonc\u00e9, le reformule quotidiennement.<br \/>\nLa recherche s\u2019inscrit dans la dur\u00e9e et dans l\u2019it\u00e9ration. R\u00e9guli\u00e8rement une nouvelle page \u00e9nonce un nouveau projet. La forme \u00e9pistolaire du blog s\u2019imposait comme une commodit\u00e9, elle devient un outil m\u00e9thodique et f\u00e9cond, particuli\u00e8rement adapt\u00e9 \u00e0 son sujet. the-dump.net (litt\u00e9ralement : la &#8220;la-d\u00e9charge.r\u00e9seau&#8221;) devient l\u2019espace-temps d\u2019inscription de la recherche et de la cr\u00e9ation.<br \/>\nPass\u00e9e la p\u00e9riode de consolidation des r\u00e8gles, le mode d\u2019action du Dump ne supporte plus aucune exception : toute addition inclut une proposition : projet de cr\u00e9ation, pratique ou th\u00e9orique.<br \/>\nC\u2019est aussi un projet singulier de th\u00e8se d\u2019arts plastiques qui ne deviendrait th\u00e9orisation de la pratique qu\u2019en faisant de la mise en \u0153uvre de la th\u00e9orie l\u2019acte m\u00eame de la cr\u00e9ation.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<!-- Begin Yuzo --><div class='yuzo_related_post style-1'  data-version='5.12.81'><!-- without result --><div class='yuzo_clearfixed yuzo__title yuzo__title'><h3>Related Works<\/h3><\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/fr\/2004\/08\/11\/watch-out\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/watchoutathens041-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">Watch Out ! 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