{"id":20690,"date":"1991-07-01T11:16:31","date_gmt":"1991-07-01T03:16:31","guid":{"rendered":"http:\/\/benayoun.com\/moben\/1991\/07\/01\/the-quarxs\/"},"modified":"2017-05-26T16:14:54","modified_gmt":"2017-05-26T08:14:54","slug":"the-quarxs","status":"publish","type":"post","link":"https:\/\/benayoun.com\/fr\/1991\/07\/01\/the-quarxs\/","title":{"rendered":"Les Quarxs"},"content":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]<\/p>\n<h5>Les QUARXS Premi\u00e8re s\u00e9rie en animation 3D haute d\u00e9finition<\/h5>\n<p>[\/vc_column_text][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;20636,20615,20618,20612,20621,20624,20627,20630,20633,20684,20639,20642,20645,20648,20651,20654,20672,20657,20675,20678,20681,20660,20663,20609,20666&#8243; column_number=&#8221;5&#8243; grayscale=&#8221;no&#8221; images_space=&#8221;gallery_with_space&#8221;][vc_column_text]SUR WIKIPEDIA:<\/p>\n<p>&#8220;<i><b>Les Quarxs<\/b><\/i> est une des toutes premi\u00e8res s\u00e9ries r\u00e9alis\u00e9es en image de synth\u00e8se <a class=\"mw-redirect\" title=\"3D\" href=\"https:\/\/fr.wikipedia.org\/wiki\/3D\">3D<\/a>, cr\u00e9\u00e9e par <a title=\"Maurice Benayoun\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Maurice_Benayoun\">Maurice Benayoun<\/a> en collaboration avec le dessinateur de bandes dessin\u00e9es <a title=\"Fran\u00e7ois Schuiten\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Fran%C3%A7ois_Schuiten\">Fran\u00e7ois Schuiten<\/a> et de l&#8217;\u00e9crivain <a title=\"Beno\u00eet Peeters\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Beno%C3%AEt_Peeters\">Beno\u00eet Peeters<\/a>, et produite par St\u00e9phane Singier. Son pilote a \u00e9t\u00e9 diffus\u00e9 en <a title=\"1991 \u00e0 la t\u00e9l\u00e9vision\" href=\"https:\/\/fr.wikipedia.org\/wiki\/1991_%C3%A0_la_t%C3%A9l%C3%A9vision\">1991<\/a> sur <a title=\"Canal+\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Canal%2B\">Canal+<\/a> dans l&#8217;\u00e9mission L&#8217;\u0153il du cyclone, &#8220;sp\u00e9cial Imagina&#8221;. La premi\u00e8re diffusion de la s\u00e9rie a \u00e9t\u00e9 programm\u00e9e sur <a title=\"Canal+\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Canal%2B\">Canal+<\/a> en clair \u00e0 20 h 30 pendant les f\u00eates de no\u00ebl en <a title=\"1993 \u00e0 la t\u00e9l\u00e9vision\" href=\"https:\/\/fr.wikipedia.org\/wiki\/1993_%C3%A0_la_t%C3%A9l%C3%A9vision\">1993<\/a> puis chaque \u00e9pisode a \u00e9t\u00e9 rediffus\u00e9 une dizaine de fois en crypt\u00e9. La s\u00e9rie a ensuite fait l&#8217;objet d&#8217;une seconde fen\u00eatre de diffusion sur <a title=\"France 3\" href=\"https:\/\/fr.wikipedia.org\/wiki\/France_3\">France 3<\/a> en <a title=\"1994 \u00e0 la t\u00e9l\u00e9vision\" href=\"https:\/\/fr.wikipedia.org\/wiki\/1994_%C3%A0_la_t%C3%A9l%C3%A9vision\">1994<\/a> puis \u00e0 l&#8217;international dans plus d&#8217;une dizaine de pays. Cette s\u00e9rie forme un ensemble de 12 \u00e9pisodes de 3 minutes.&#8221;<\/p>\n<h4>Quelques r\u00e9actions de la critique \u00e0 la sortie des Quarxs:<\/h4>\n<p>&#8211; \u00ab Les QUARXS, s\u00e9rie diffus\u00e9e \u00e0 No\u00ebl sur Canal+, est l&#8217;une des meilleures choses qui soit jamais arriv\u00e9 aux images de synth\u00e8se &#8230; Les QUARXS pourraient bien \u00eatre aux ann\u00e9es quatre vingt dix ce que les SHADOCKS furent aux ann\u00e9es soixante : un manifeste ludique, surr\u00e9aliste, et qui plus est, d&#8217;une rare finesse&#8230;. Car, en seconde lecture, les QUARXS sont une encyclop\u00e9die diaboliquement subtile : on y trouve \u00e0 la fois une utilisation d&#8217;une supr\u00eame \u00e9l\u00e9gance des nouvelles technologies et, en sous main, une critique ironique de ces m\u00eames images. \u00bb<br \/>\nVincent Lebrun, LE CINEPHAGE<\/p>\n<p>&#8211; \u00ab Les QUARXS &#8230; le r\u00e9sultat est r\u00e9ussi, beau, amusant et tr\u00e8s inqui\u00e9tant. \u00bb<br \/>\nLaurent Bon, GLOBE HEBDO<\/p>\n<p>&#8211; \u00ab Les QUARXS, cette ironie r\u00e9jouissante qui fait plonger la rigueur scientifique dans un oc\u00e9an d&#8217;absurdit\u00e9. \u00bb<br \/>\nJean-Baptiste de Montvallon, LE MONDE<\/p>\n<p>&#8211; \u00ab On nage en pleine science fiction &#8230; l&#8217;animation sur ordinateur r\u00e9ussi des prouesses. Les QUARXS : les nouveaux z&#8217;envahisseurs. \u00bb<br \/>\nLE QUOTIDIEN DE PARIS<\/p>\n<p>&#8211; \u00ab Un miracle de l&#8217;animation 3 d. Ils sont n\u00e9s de l&#8217;imagination fertile de Maurice Benayoun et du dessinateur de BD Fran\u00e7ois SCHUITEN, et de la virtuosit\u00e9 technologique de l&#8217;animation 3 Dimensions. Ils se nomment les Quarxs et ces \u00e9tranges bestioles vont bient\u00f4t hanter notre univers m\u00e9nager. \u00bb<br \/>\nFran\u00e7ois de Santerre, LE FIGARO<\/p>\n<p>&#8211; \u00ab Les images de synth\u00e8se surprennent toujours par leur graphisme et leur mouvement; ici, un v\u00e9ritable sc\u00e9nario vient les soutenir. Chaque soir, 3 minutes \u00e0 voir et \u00e0 \u00e9couter. \u00bb<br \/>\nTELE LOISIRS<\/p>\n<p>&#8211; \u00ab C&#8217;est quoi les Quarxs ? un dr\u00f4le de prurit pour nous d\u00e9caper, pour nous d\u00e9caper, pour nous squatter par l\u00e0 o\u00f9 \u00e7a nous d\u00e9mange. enfin r\u00e9v\u00e9l\u00e9s, en cent actes divers, par le petit bout de la lorgnette dans les interstices de notre intimit\u00e9 &#8230; si pr\u00e9sents, attachants et pervers, d\u00e9fiant les lois \u00e9tablies de la Physique et de la Biologie comme un chant de Maldoror. \u00bb<br \/>\nMichel Roud\u00e9vitch, LIBERATION<\/p>\n<p>&#8211; \u00ab Voici une saine occasion de se d\u00e9sengluer de la m\u00e9lo-nostalgie Jurassique et du carbonif\u00e8re. enfin des boucs \u00e9missaires convenables pour justifier vos bouff\u00e9es d&#8217;adr\u00e9naline avec l&#8217;avantage en prime de laisser votre imagination d\u00e9cliner autant de nouvelles esp\u00e8ces selon les circonstances. \u00bb<br \/>\nDidier Husson, CAMERA VIDEO<\/p>\n<p>&#8211; \u00ab Le sujet le plus original est incontestablement celui des Quarxs, propos\u00e9 par Z.A Production qui aurait le m\u00e9rite d&#8217;assurer la succession tant attendue des Shadocks \u00bb.<br \/>\nChristine Tr\u00e9guier, VIDEO BROADCAST<\/p>\n<h5>video : <a href=\"https:\/\/youtu.be\/bFKtXNNwPDM\" target=\"_blank\" rel=\"noopener noreferrer\">20mn video montage, Fran\u00e7ais<\/a><\/h5>\n<h5>Les r\u00e9compenses:<\/h5>\n<ul>\n<li>FINALISTE, INTERNATIONAL MONITOR AWARDS, Los Angeles, USA, Octobre 1995. \/ SELECTION OFFICIELLE, FILM WEST Festival, Sidney, AUSTRALIE, Ao\u00fbt 1995.<\/li>\n<li>PRIX JOSE ABEL, CINANIMA, award for the BEST EUROPEAN ANIMATION FILM, Espinho, PORTUGAL, Oct.1994.<\/li>\n<li>TROPHEE D&#8217;ARGENT, &#8221; Espace Cr\u00e9ation &#8220;, F.A.U.S.T., Toulouse, FRANCE, November 1994.<\/li>\n<li>SELECTION OFFICIELLE, ANTENNACINEMA, Festival of TV series, Trevise, ITALY, September 1994.<\/li>\n<li>SELECTION OFFICIELLE, Electronic Theater, 5 Th. International Symposium on Electronic Art, Helsinki,FINLAND, August 1994.<\/li>\n<li>SELECTION OFFICIELLE, XXVII e INTERNATIONAL FESTIVAL OF THE FANTASTIC FILM, Sitges, SPAIN, July 1994.<\/li>\n<li>SELECTIONS OFFICIELLES, SIGGRAPH, ELECTRONIC THEATER, Orlando, USA, May 1994. \/ SIGGRAPH, SCRENNING ROOM, Orlando, USA, May1994.<\/li>\n<li>PROJECTION EFFETS SPECIAUX Salle Bazin, FESTIVAL DE CANNES, May 1994.<\/li>\n<li>FILM D&#8217;OUVERTURE &#8221; Concours Nouvelles Technologies France T\u00e9l\u00e9vision\/Art3000 &#8220;, Paris, May 1994.<\/li>\n<li>DISTINCTION (2ND PRIX) ARS ELECTRONICA, Linz, AUSTRIA, June 1994.<\/li>\n<li>SELECTION OFFICIELLE, ANIMATION FILM FESTIVAL, Cardiff, SCOTLAND, April 1994.<\/li>\n<li>SELECTION OFFICIELLE, SHORT FILM FESTIVAL, Tampere, FINLAND, Mars 1994.<\/li>\n<li>3\u00e8me PRIX, cat\u00e9gorie FICTION, IMAGINA 94, Monte-Carlo, MONACO, F\u00e9vrier 1994.<\/li>\n<li>SELECTION OFFICIELLE, INTERNATIONAL ANIMATION FILM FESTIVAL, Bruxelles, BELGIQUE, Fev.1994.<\/li>\n<li>3\u00e8me PRIX CATEGORIE FICTION, IMAGINA 93, Monte-Carlo, MONACO, Fevrier 1993.<\/li>\n<li>SELECTION OFFICIELLE, SIGGRAPH, Chicago, USA, Juillet 1992.<\/li>\n<li>SELECTION OFFICIELLE, 5TH FESTIVAL OF COMPUTER ANIMATION, Geneva, SWITZERLAND, Mai 1992.<\/li>\n<li>SELECTION OFFICIELLE, IMAGINA 92, Monte-Carlo, MONACO Janvier 1992.<\/li>\n<li>PRIX TROISIEME DIMENSION ; SCAM, Paris, FRANCE, Novembre 1991.<\/li>\n<li>PRIX DU MEILLEUR SCENARIO PARIS CITE 91, Paris, FRANCE, Octobre 1991.<\/li>\n<li>SELECTION OFFICIELLE, EUROGRAPHICS 91, Vienna, AUTRICHE, Septembre 1991.<\/li>\n<li>HONORARY MENTION ARS ELECTRONICA, Linz, AUSTRICHE, Septembre 1991.<\/li>\n<li>SELECTION OFFICIELLE, IMAGES DU FUTUR, Montreal, CANADA, Septembre 1991.<\/li>\n<li>1ER PRIX, ARTISTIC ANIMATION CATEGORIE, Truevision Videographic Competition, SIGGRAPH, Las Vegas, USA, Juillet 1991.<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<!-- Begin Yuzo --><div class='yuzo_related_post style-1'  data-version='5.12.81'><!-- without result --><div class='yuzo_clearfixed yuzo__title yuzo__title'><h3>Related Works<\/h3><\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/fr\/2009\/12\/20\/la-crise-de-nerfs-du-corps-global\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2017\/01\/MB_LOGO_ICO.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover; 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