{"id":27695,"date":"2022-10-29T19:04:07","date_gmt":"2022-10-29T11:04:07","guid":{"rendered":"https:\/\/benayoun.com\/moben\/2022\/10\/29\/the-reader\/"},"modified":"2022-10-29T19:04:07","modified_gmt":"2022-10-29T11:04:07","slug":"the-reader","status":"publish","type":"post","link":"https:\/\/benayoun.com\/fr\/2022\/10\/29\/the-reader\/","title":{"rendered":"The Reader"},"content":{"rendered":"

AI program + Video display<\/p>\n

The Reader AI: Can we read the human brain?<\/em>
\nObserving the VoV token, the ‘Reader’ recognized words. Considering the freshly neuro-designed VoV models, the Reader explore them to figure out what similarities could be found between VoV characters and Chinese calligraphy, between symbols and ideograms. The result is a series of keywords that as extensions of the original value, work like semantic harmonics (in comparison with musical harmonics that nuance the sound of the fundamental value…<\/p>\n

The Interpreter will try to make sense of it. Interpreters are not neutral, they have biases. An ‘AI visual interpreter’ with a strong art bias will suggest images out of the words provided by the reader. An ‘AI textual interpreter’, with a strong marketing bias, provides the subtitles, trying to sell values as commercial products. They follow their path and meet on the screen without collusion.<\/span><\/p>\n

Machines try to understand humans that strive to understand machines.<\/span><\/p>\n

AI Software: Sam Chan + different off-the-shelf AI visual and textual tools. \"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a><\/span><\/p>\n

Related Works<\/h3><\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t The Pavillon of Post-Contemporary Curating<\/span>\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t <\/a>\n\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t Le SAS CUBE<\/span>\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t <\/a>\n\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t The Trading Room (VoV)<\/span>\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t <\/a>\n\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t 2010<\/span>\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t <\/a>\n\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t Brain Factory<\/span>\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t <\/a>\n\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t The Paris-New Delhi Tunnel<\/span>\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t <\/a>\n\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t La M\u00e9canique des \u00e9motions<\/span>\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t <\/a>\n\n\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t <\/div>\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t 2013<\/span>\n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t <\/a>\n\n\t\t\t\t\t\t <\/div>\n<\/div>