
Players: Agnieszka Kulazinska, Ã
Âukasz Jastrubczak, The Dump exhibition at Ã
ÂaÃ
ºnia, Centre for Contemporary Art (Gdansk, Poland)
The work by Ã
Âukasz Jastrubczak in
The Dump exhibition at Ã
ÂaÃ
ºnia proposing to hack
The Dump, was an interesting and quite expected statement.
Video monitor and headphone.
Back turned to the camera, the artist reads a user manual for hacking
the Dump. The caption explains that he "fund (sic) no interesting project in the Dump" and proposed to hack it to replace the authorââ¬â¢s projects by he's own ones. Of course this reaction wouldââ¬â¢nt be surprising from an artist who would have rejected Agnieszkaââ¬â¢s offer.
Ã
Âukasz was apparently not informed of the existence of the
OPENDUMP.ORG where everybody can post projects that become immediately available for the readerââ¬â¢s use. A kind of "open-to-hacking" Dump of course less exciting in the context of the exhibition. The interesting consequence of Ã
Âukasz proposal is that, when all the works in Ã
ÂaÃ
ºnia exhibition could pretend to autonomy and witness of a real creative engagementââ¬Â¦ this one was amazingly the only project that could not survive to
the Dumpââ¬Â¦
One of the curatorââ¬â¢s intentions in provoking artists by asking them to officially use the Dump as an input for producing their artwork was obviously the question of the shift in terms of authorship that affected the art field ââ¬âprobably moreover these last years due to the network inflation- playing with ego, originality, invention, creation, anteriority, and interior necessityââ¬Â¦ Agnieszka takes
the Dump as a proof of concept. In the Dump, everything written in a post doesn't pretend to novelty, as confirmed by mentioning the sources, when they are known, and the context of inspiration by listing the "players". Agnieszkaââ¬â¢s exhibition project is playing with the limits of artistic involvement and artistic aura. A good point is that if my name is properly mentioned in the press release, it doesn't appear on posters and flyers. This choice is totally consistent, considering
the Dump statement related to the free and legitimate use of the concepts.
A possible proposal: directly inspired by Ã
Âukaszââ¬â¢s work: the invited artist could post in
the Dump a concept of work, project number 214, the last one of the referring series of projects, and ask me to realise it. Of course I would then be in a different situation as I am not the one who asked other artists to get inspired by the Dump. I'll never have the curator power of persuasion. But if I would be solicited, I could keep the right to decline the offer if I don't feel inspired by the project. This project has to be motivating enough!
On the other hand I'm sure that I would find exciting to do a work from a concept primarily defined as "not found in the Dump".