{"id":18441,"date":"2017-03-10T18:03:25","date_gmt":"2017-03-10T10:03:25","guid":{"rendered":"http:\/\/benayoun.com\/moben\/conferences\/"},"modified":"2025-01-01T02:24:38","modified_gmt":"2024-12-31T18:24:38","slug":"conferences","status":"publish","type":"page","link":"https:\/\/benayoun.com\/zh-hans\/conferences\/","title":{"rendered":"Conferences"},"content":{"rendered":"<h2>Conferences, lectures &amp; Talks<\/h2>\n<h4>2024<\/h4>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Introducing <\/span><i><span style=\"font-weight: 400;\">MoBen\u2019s Moments<\/span><\/i><span style=\"font-weight: 400;\">, curated by Dr. Chen Jing, show presentation, Dec. 15, 18, 20, and 21st, 2024\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., online lecture, <\/span><i><span style=\"font-weight: 400;\">Curating AI<\/span><\/i><span style=\"font-weight: 400;\">, AI Hokusai, Dec. 9, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Talk and workshop, <\/span><i><span style=\"font-weight: 400;\">The Art of Prompting<\/span><\/i><span style=\"font-weight: 400;\">, The Human factor in Art Making,\u00a0 Silesian Science Festival, Katowice, European Capital of Science, Poland, Dec. 9, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Round table, <\/span><i><span style=\"font-weight: 400;\">AI, Ethics and Risk<\/span><\/i><span style=\"font-weight: 400;\">, Silesian Science Festival, Katowice, European Capital of Science, Poland, Dec. 8, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., keynote lecture, <\/span><i><span style=\"font-weight: 400;\">Are AIs Neurodivergent? The Collateral Benefits of Human Nature on Artificial Intelligence<\/span><\/i><span style=\"font-weight: 400;\">, Silesian Science Festival, Katowice, European Capital of Science, Poland, Dec. 7, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., workshop, Art Proxima, XPANSE, Abu Dhabi, UAE, Nov. 20-22, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., artist\u2019s talk, <\/span><i><span style=\"font-weight: 400;\">Media Arts and AIs<\/span><\/i><span style=\"font-weight: 400;\">, Art Proxima, XPANSE, Abu Dhabi, UAE, Nov. 20, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., round table, Post capitalistic Auction, Part 1, Hong Kong, Nov. 16, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., on-stage performance, <\/span><i><span style=\"font-weight: 400;\">TRUST0643<\/span><\/i><span style=\"font-weight: 400;\">, Post capitalistic Auction, Hong Kong, Nov. 16, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., online keynote, <\/span><i><span style=\"font-weight: 400;\">Magic Mirrors don\u2019t Always Come with Good News. Same Goes with AIs<\/span><\/i><span style=\"font-weight: 400;\">, Computer Art Congress, CAC8, La Plata, Argentina, Nov. 2, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Can Human-Made Intelligence Produce Human-Made Art? A Parallel Journey<\/span><\/i><span style=\"font-weight: 400;\">. CrossMedia Art in the Age of Digital Intelligence, School of Art, Nanjing University, Nov. 2, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Lecture, <\/span><i><span style=\"font-weight: 400;\">Introduction to Art and Interactivity<\/span><\/i><span style=\"font-weight: 400;\">, Art and Interaction, School of Art, Nanjing University, Nov. 1, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Lecture, <\/span><i><span style=\"font-weight: 400;\">Art Escaping Gravity, from Abstraction du GenAI<\/span><\/i><span style=\"font-weight: 400;\">, School of Architecture and Urban Planning, Nanjing University, Oct. 31, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Starts, <em>ReSilence<\/em>, EU Collaborative Research, plenary meeting, Sept. 21, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Architecture and Cognition<\/span><\/i><span style=\"font-weight: 400;\">, online talk, ETH Zurich, Switzerland, Sept. 7, 2024<\/span><\/p>\n<p>Benayoun, M.,<em> Fred Forest et pratiques artistiques non normatives<\/em>, Centre Pompidou, Paris, France, June 8, 2024<\/p>\n<p>Benayoun, M., <em>Arte e Intelligenza Artificiale<\/em>, International Forum Art &amp; Innovation, Symposium, Castello Aragonese, Otranto, Italy, 18-19 May, 2024<\/p>\n<p>Benayoun, M., <em>Ways through Artificiality in Art,<\/em> International Forum Art &amp; Innovation, Accademia di Belle Arti, Lecce, Italy, 17 May, 2024<\/p>\n<p>Benayoun, M., <em>Intentionnalit\u00e9 artificielle, l\u2019\u0153uvre comme intention<\/em>, ICAN, Paris, 14 May, 2024<\/p>\n<p>Benayoun, M., round table, <em>IA et nouvelles \u00e9critures<\/em>, ETPA \u2013 ESMA, Toulouse, 23 April, 2024<\/p>\n<p>Benayoun, M., <em>Cosa Artificiale<\/em>, Centre Culturel Canadien, Paris, 28 March, 2024<\/p>\n<p>Benayoun, M., Lecture, <em>Milestones for a Subjective Map of 40 years of Art Making<\/em>, Sciences Po, Paris, 25 March, 2024<\/p>\n<h4>2023<\/h4>\n<p>Benayoun, M., online lecture, <em>Milestones<\/em>, HKUST Guangzhou, China, 7 Dec. 2023<\/p>\n<p>Benayoun, M., Lecture, EPSAA, Ivry sur Seine, France, 21 Nov. 2023<\/p>\n<p>Benayoun, M. Keynote, <em>Can Art Help Robots to Understand Humans<\/em>, Shenzhen Art Museum, China, 7 Nov. 2023<\/p>\n<p>Benayoun, M., <em>Interwoven Scape<\/em>, Shenzhen Art Museum, opening ceremony, China, 6 Nov. 2023<\/p>\n<p>Benayoun, M., speaker, Forum NTMoA (National Taiwan Museum of Art) Taichun, Taiwan, August 13, 2023<\/p>\n<p>Benayoun, M., co-organizer, keynote speaker, <em>From Ideation to Imachination<\/em>, XARTS conference, University of the Aegean, Syros, Greece, 3 July 2023<\/p>\n<p>Benayoun, M., opening Keynote, <em>The Power of Imachination<\/em>, The Atlas of Digital Art, MEET Center, Milan, Italy, June 22, 2023<\/p>\n<p>Benayoun, M., Invited Lecture, <em>A conceptual roadmap: translate media arts practice into theoretical issues<\/em>, ISEA2023 International Symposium of Electronic Arts, Paris, France, May 17, 2023<\/p>\n<p>Benayoun, M., roundtable: \u201cCap Digital: Let\u2019s invent the tools and digital brushes to create the arts of the future\u201d, ISEA2023 International Symposium of Electronic Arts, Paris, France, May 17, 2023<\/p>\n<p>Benayoun, M., roundtable: OPLINEPRIZE International, ISEA2023 International Symposium of Electronic Arts, Paris, France, May 17, 2023<\/p>\n<p>Benayoun, M., full paper, <em>ReSilence: Retune the Soundscape of future cities through art and\u2026<\/em> ISEA2023 International Symposium of Electronic Arts, Paris, France, May 18, 2023<\/p>\n<p>Benayoun, M., public talk and interview by Jorge La Ferla, Foundation Bunge y Born, Williams Foundation Buenos Aires, Argentina, May 11, 2023<\/p>\n<p>Benayoun, M., Masterclass, Arte, Ciencia y Tecnologia, Foundation Bunge y Born, Williams Foundation Buenos Aires, Argentina, May 9-10, 2023<\/p>\n<p>Benayoun, M., keynote, <em>How the Art-Subject redefines the artist practice and status, <\/em>Foundation Bunge <em>y Born, Williams Foundation Buenos Aires, Argentina, May 9, 2023<\/em><\/p>\n<p>Benayoun, M., online keynote, <em>Values in Space, Value of Values Transactional Art Unchained, <\/em>HoloArt Think Tank, April 21, 2023<\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., keynote, <\/span><i><span style=\"font-weight: 400;\">The Black Box, The White Cube, and the Grey Matter<\/span><\/i><span style=\"font-weight: 400;\">, Entangled Transparencies 3.0, ZKM, Hyundai, Goethe Institute, March 9, 2023<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., keynote <\/span><i><span style=\"font-weight: 400;\">How AI-Augmented Serendipity Redesigns the art practice<\/span><\/i><span style=\"font-weight: 400;\">, \u201cCreative Media: a Prospective Vision\u201d Seminar, EESI (Ecole Europ\u00e9enne de l\u2019Image, Angoul\u00e9me, France), School of Architecture, Technology Monterey, Mexico, CNAM Conservatoire National des Arts et M\u00e9tiers, Paris France, Jan. 30 2023<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Sound and mobility in the City, a creative approach<\/span><\/i><span style=\"font-weight: 400;\">, ReSilence EU program webinar for Open Call for Art projects. Jan. 19, 2023<\/span><\/p>\n<h3><b>2022<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Media Art Beyond Technology, a conceptual Timeline<\/span><\/i><span style=\"font-weight: 400;\">, HKACT 13 Symposium, Asia Society HK Center, Nov, 28 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., keynote, <\/span><i><span style=\"font-weight: 400;\">The role of concepts in art making in the time of global artificiality<\/span><\/i><span style=\"font-weight: 400;\">, Art &amp; Tech conference, online conf., Ko\u0161ice, Slovakia, Nov. 24, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Transactional Art From The Dump to the Values, Reification of Values\u2026 and the market, <\/span><\/i><span style=\"font-weight: 400;\">Glitch2, Chateau du Fei, Burgundy, France, Nov. 7-13, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Use Case 2, sound and mobility in the City,<\/span><\/i><span style=\"font-weight: 400;\"> Resilence project Kick off seminar, Sept 27, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">DialoG<\/span><\/i><span style=\"font-weight: 400;\"> public art interactive installation and <\/span><i><span style=\"font-weight: 400;\">Cap de Ballon<\/span><\/i><span style=\"font-weight: 400;\">, Metaverse for seniors, MindSpaces final review, online, Sept. 20, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., online Lecture, <\/span><i><span style=\"font-weight: 400;\">The New Values of Art: Between Sublimation and Reification, Transaction and Curation redefine blockchain and unchained art Practice<\/span><\/i><span style=\"font-weight: 400;\">, Artificial Intelligence and Art, \u201cDigital Rites and Embodied Memories\u201d, EU4ART, Horizon 2020, Fine Art Academy of Rome, Hochschule f\u00fcr Bildende K\u00fcnste in Dresden, Hungarian University of Fine Arts in Budapest and Latvian Art Academy in Riga, Monastery of Casa San Silvestro in Monte Compatri Rome, Italy, Sept. 9, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Human Values at Stake: The game of life, When artworks investigate economy, poetry, ethics, through AI, Robots, Blockchain and NFTs<\/span><\/i><span style=\"font-weight: 400;\">. New World Forum, Riyadh, Sept. 8, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., keynote, <\/span><i><span style=\"font-weight: 400;\">Between Imachination and Transaction<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">how EEG, AI, and NFT reshuffle the practice and the status of the artist<\/span><\/i><span style=\"font-weight: 400;\">, CAC7 Computer Art Congress, University of Art and Design (HEAD \u2013 Gen\u00e8ve, HES-SO) Geneva, Switzerland, Sept. 2, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., opening talk as guest of Honor, Opline Prize 2022, Mairie du XIIe arrondissement, Paris Sept. 2, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Exhibiting in the Metaverse<\/span><\/i><span style=\"font-weight: 400;\">, V-ART Twitter Space, July 13, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anadol, R., <\/span><i><span style=\"font-weight: 400;\">Benayoun<\/span><\/i><span style=\"font-weight: 400;\">, M., Martin, A.,<\/span> <a href=\"https:\/\/isea2022.isea-international.org\/event\/dialog-mindspaces-starts-the-art-of-dialog-are-we-immigrants-in-a-machine-world\/\"><i><span style=\"font-weight: 400;\">D\u00efaloG. MindSpaces \u2013 S+T+Arts. The Art of D\u00efaloG: Are we immigrants in a machine World?<\/span><\/i><\/a><span style=\"font-weight: 400;\"> ISEA2022, Barcelona, Spain, June 15, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Opening Talk online,<\/span><i><span style=\"font-weight: 400;\"> Value of Values<\/span><\/i><span style=\"font-weight: 400;\">, E-Topia, Zaragoza, Spain, April 20, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Artist\u2019s talk, <\/span><i><span style=\"font-weight: 400;\">VoV Shaping the Present, Minting the Future<\/span><\/i><span style=\"font-weight: 400;\">, Tongyeong Triennale, South Korea, April 2, 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., HKACT! Act 12 <\/span><i><span style=\"font-weight: 400;\">VoV: HKRUNWAY | Introductory Talk<\/span><\/i><span style=\"font-weight: 400;\">, HK Design Institute, 18 Feb. 2022<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Speaker, <\/span><i><span style=\"font-weight: 400;\">Artificial intentionality and behavioral design applied to Art<\/span><\/i><span style=\"font-weight: 400;\">, 4th SCM\/ACIM Research Colloquium, Online, School of Creative Media, City University of Hong Kong, Feb. 8, 2022.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Keynote Speaker, <\/span><i><span style=\"font-weight: 400;\">Art in the age of neuroscience &#8211; Thought as Material<\/span><\/i><span style=\"font-weight: 400;\">, Online conference, Value of Values, Le Cube, France, Feb, 7, 2022.\u00a0<\/span><\/p>\n<h3><b>2021<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Transactional aesthetics applied to forensic investigation of contemporary art<\/span><\/i><span style=\"font-weight: 400;\"> (subtitle) <\/span><i><span style=\"font-weight: 400;\">When artworks become subjects investigating economy, poetry, ethics, through AI, Robots, and blockchain, <\/span><\/i><span style=\"font-weight: 400;\">Lecture, A new future created by AI+ART, The front line of new media art, School of Computing, KAIST, Dec. 20, 2021.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Transactional Art, From the Dump to Value of Values<\/span><\/i><span style=\"font-weight: 400;\">, invited talk, + round table with Prof Grau, O, Prof. Joker, V., Prof. Shurelov, V.; DA Feset (DIgital Art Festival, Sofia, Bulgaria, Oct. 30, 2021.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Master Class, <\/span><i><span style=\"font-weight: 400;\">Reification of Values, How Neuro-Designed Human Values Can Become Physical Artworks<\/span><\/i><span style=\"font-weight: 400;\">, E-Valuation, DA Fest (Digital Art Festival), French Institute in Bulgaria, Sofia, Bulgaria, Oct. 29, 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., invited speaker, <\/span><i><span style=\"font-weight: 400;\">Value of Values, Transactional Art on the Blockchain<\/span><\/i><span style=\"font-weight: 400;\">, Glowing Globe, Artificial Art Alienated Symposium, online, Center for Innovative Media, KORTIL Gallery HKD, Ul. Strossmayerova, Rijeka, Croatia, September 23, 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Chair, Keynote Speaker, <\/span><i><span style=\"font-weight: 400;\">Posthuman art: Robots, Aliens, Chess, and Tokens<\/span><\/i><span style=\"font-weight: 400;\">, Symposium, Ars Electronica Garden Hong Kong, Neuro-Design Lab, ACIM, School of Creative Media, City University of Hong Kong, Hong Kong, Ars Electronica 2021, Linz, Austria, 11 Sept 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., speaker, <\/span><i><span style=\"font-weight: 400;\">Art-Technology-Architecture<\/span><\/i><span style=\"font-weight: 400;\">, Live Discussion, Ars Electronica Garden Thessaloniki, Ars Electronica Festival 2021, MindSpaces, September 9, 2021<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Klein, T., Presenters, <\/span><i><span style=\"font-weight: 400;\">Value of Values, Transactional Art on the Blockchain Giving Shape to Human Values. Real-Time Short Cut From The Brain to the Blockchain<\/span><\/i><span style=\"font-weight: 400;\">, Closing Event: Real-Time Live Artistic Performance,\u00a0 The Rise of the Metaverse: Merging Physical and Digital Worlds, Live Performance online, RealTime Conference 2021, 28 April 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Invited speaker, <\/span><i><span style=\"font-weight: 400;\">Appreciating and Collecting Digital Art<\/span><\/i><span style=\"font-weight: 400;\">, Panel discussion, workshop of valuing and study digital art, Asia Society, Bloomberg, 10 Aug. 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Keynote speaker, <\/span><i><span style=\"font-weight: 400;\">Artificial Intentionality: from Behavior Analysis to Behavioral Design<\/span><\/i><span style=\"font-weight: 400;\">. The Future of Dataism, 4th IEEE International Conference on Knowledge Innovation and Invention 2021 (IEEE ICKII 2021), Chaoyang University of Technology, Taichung, Taiwan IEEE Tainan Section Sensors Council (IEEE TSSC) International Institute of Knowledge Innovation and Invention (IIKII) Taichung, Taiwan, 23\u201325 Jul. 2021<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Moderator, and Session Chair, <\/span><i><span style=\"font-weight: 400;\">Space in the Mind of A Machine<\/span><\/i><span style=\"font-weight: 400;\">, Keynote Lecture, Art Machines 2: International Symposium on Machine Learning and Art 2021 (AM2), School of Creative Media, Creative Media Centre, City University of Hong Kong, 10 Jun. 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., moderator, <\/span><i><span style=\"font-weight: 400;\">The Aesthetics of Trans Media and the Humanities Across Media Platforms: Philosophy of Trans Media: Transmedia and the Sublime<\/span><\/i><span style=\"font-weight: 400;\">, Dongguk University and Cornell University, Seoul, Korea, 18 May 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Klein, T., Invited speaker, <\/span><i><span style=\"font-weight: 400;\">Value of Values, Transactional Art on the Blockchain Giving Shape to Human Values. Real-Time Short Cut From The Brain to the Blockchain<\/span><\/i><span style=\"font-weight: 400;\">, The Rise of the Metaverse: Merging Physical and Digital Worlds, RealTime Conference 2021, 28 Apr. 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Invited speaker, <\/span><i><span style=\"font-weight: 400;\">From the Art Object to the Art-subject, a New Ontology of Art Forms<\/span><\/i><span style=\"font-weight: 400;\">, Invited Lecture, Augmented Creativity Lab Zoom Talk Series, Interdisciplinary Research Labs, Hong Kong Baptist University, 28 Apr. 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Invited speaker, <\/span><i><span style=\"font-weight: 400;\">Virtualisation vs Financialization of Digital Artistic Practice: The Future of Crypto-Activism<\/span><\/i><span style=\"font-weight: 400;\">, talk, Laval Virtual, 14 Apr. 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Keynote speaker, <\/span><i><span style=\"font-weight: 400;\">How the pandemic reveals the inexorable shift of human values, The new forms of propagation of art, between perversion and virality<\/span><\/i><span style=\"font-weight: 400;\">, Online Lecture, Post Reality, Lahore Digital Arts Festival (LDF), 23 Mar. 2021.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <\/span><i><span style=\"font-weight: 400;\">Avant la symbiose<\/span><\/i><span style=\"font-weight: 400;\">, opening keynote, Comit\u00e9 de pilotage d\u2019ISEA2023, including all symposium\u2019s institutional partners, March 2021<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Invited speaker, <\/span><i><span style=\"font-weight: 400;\">Art in the time of the art subject, The public-artist and the museum-world<\/span><\/i><span style=\"font-weight: 400;\">, Online Panel, Space &amp; Aesthetics Talk Series: What can cognitive science bring to museums and artists?, Abstract Art in the Age of New Media, Digital Art Exhibition, MoCDA The Museum of Contemporary Digital Art, 4 Mar. 2021.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Benayoun, M., Invited speaker, <\/span><i><span style=\"font-weight: 400;\">How the artwork became a \u201csubject\u201d, and other trans-disciplinary considerations<\/span><\/i><span style=\"font-weight: 400;\">, Panel\/Talk, SCM\/ACIM Colloquium, City University of Hong Kong, Feb. 2, 2021.<\/span><\/h3>\n<h3>2020<\/h3>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <em>Art and Values, from the Brain to the Blockchain<\/em>, Invited speaker,\u00a0\u201cHybrid Conference on Global Trends of Contemporaneity<\/span><span style=\"font-weight: 400;\">\u201d, Metaculture <\/span><span style=\"font-weight: 400;\">conference, Method Place, Moscow, Dec 10-11<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <em>Re-shuffling values in times of pandemics, When Transactional art provides the thermometer,\u00a0Invited speaker,\u00a0<\/em> \u201cTrans Media Art Workshop: Technics Improvised: Thinking Media Art in COVID Time\u201d<\/span><span style=\"font-weight: 400;\">, Dongguk University + Cornell University, Seoul, South Korea, Nov 18<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M.,\u00a0 &#8220;Comment le biofeedback sonore contribue au neuro-design des valeurs humaines.&#8221; (How sound biofeedback contributes to neuro-design human values), Invited speaker,\u00a0Colloque International Mondes Spatialis\u00e9s, (International Colloquium Spatialized Worlds), Universit\u00e9 de Saint Etienne, France, Nov 3<sup>rd<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Ag, T. R.,\u00a0\u00a0<em>After the Tunnel, the shifting ontology and ethology of the emerging art-subject<\/em>,\u00a0Invited speaker,<em>\u00a0<\/em>\u201cWhy Sentence?\u201d, full paper, ISEA2020 online, proceedings, Oct 15<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <em>Speculative Speculations on Art and Values, How Linking the Brain to the Blockchain Reveals the Value of Human,<\/em>\u00a0Invited speaker,\u00a0Online open lecture, Hong Kong Garden, Ars Electronica Voyage Channel, Ars Electronica Festival 2020,\u00a0Sept 12<sup>th<\/sup>, 2020. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Ars Electronica 2020 Symposium,\u00a0<em>Public Symposium: Why and How Artworks Feel?, Host and Speaker,\u00a0<\/em>Collaborative project MindSpaces &amp; MindSpaces HK \/ CityUHK, Online open lecture, Hong Kong Garden, Garden Thessaloniki, Ars Electronica Festival 2020, Neuro-Design Lab, ACIM, SCM, CityU, Sept 9-13<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., Anadol, R., <em>Dialogue about D\u00efaloG, Conversation between Refik Anadol (LA) and MoBen (HK)<\/em>,\u00a0Invited speakers, D\u00efaloG collaborative project, MindSpaces &amp; MindSpaces HK \/ CityUHK, Online open lecture, Hong Kong Garden, Garden Thessaloniki, Ars Electronica Voyage Channel, Ars Electronica Festival 2020, Ars Electronica, MindSpaces, Neuro-Design Lab, ACIM, SCM, CityU, 9 Sept. 2020.\u00a0Sept 20<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <em>ART SHIFTS step by step,\u00a0<\/em>Keynote Speaker,<em>\u00a0\u00a0<\/em>\u201cMeet the Media Guru with Maurice Benayoun, Digital Innovation for Culture\u201d,\u00a0 (Online Lecture), MEET Digital Communication srl Impresa Sociale, Milan, Italy, Jun 30<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M.,\u00a0\u00a0<em>Art from connection to pervasion,\u00a0<\/em>Invited Speaker, \u201cPt.1Telemechanics, 101. ALL in One Online Festival\u201d, 101 Mediapoetry, Jun 20<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <em>Transactional Art from the Brain Factory to Value of Values<\/em>, Invited Speaker, \u201cDerrick de Kerckhove&#8217;s Lecture CAFA: a new Art Collective,\u00a0Online Open Lecture, CAFA (Central Academy of Fine Arts, Beijing), May 22<sup>nd<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <em>What is the Value of Values in the Brain factory<\/em>,\u00a0Invited Speaker, \u201cDerrick de Kerckhove&#8217;s Lecture CAFA: a new Art Collective\u201d,\u00a0Online Open Lecture, CAFA (Central Academy of Fine Arts, Beijing), May 8<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., <em>Heritage of the New Media<\/em>, Keynote Speaker, \u201c40 years of media art practices and cases studies applied to media art education\u201d, Fifth International Online New Media and Education Congress (Videoconference), Anilla Cultural, May 5-6<sup>th<\/sup>, 2020.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benayoun, M., \u201cInterfacing COVID 19: the technologies of contagion, risk, and contamination\u201d, -empyre- new media listserv (online), Featured Guest, Apr 1-21<sup>st<\/sup><sup>,<\/sup> 2020.<\/span><\/p>\n<h3>2019<\/h3>\n<p>Benayoun, M., <em>The new frontiers of Art: from the Brain to the Block(un)chain(ed)<\/em>, Keynote Speaker, \u201cContent Insight\u201d, Seoul, Korea, Dec. 9<sup>th<\/sup>, 2019<\/p>\n<p>Benayoun, M., <em>When Artworks Speak, from VR to Blockchain<\/em>, Keynote, <a href=\"http:\/\/taln.upf.edu\/pages\/msr2019-ws\/\">MSR&#8217;19<\/a>\u00a0&#8211; SIGGEN event Second Workshop on Multilingual Surface Realization, Hong Kong, Nov 3rd, 2019<\/p>\n<p>Benayoun, M., <em>Value of Values at the MOCA<\/em>, \u201cReTransSens\u201d, Invited Speaker, Digital Art Festival, MOCA Taipei, Taiwan, Oct. 26, 2019<\/p>\n<p>Benayoun, M., <em>Value of Values by the Brain Factory<\/em>, opening talk, ACMMM2019, Acropolis, Nice, France, Oct 21<sup>st<\/sup>, 2019.<\/p>\n<p>Benayoun, M., <em>Brain Factory and Value of values in MindSpaces<\/em>, invited speaker, \u201cSustainable Transformations Seminar Day.\u00a0Exploring the arts and creativity as stimulation for innovations and technologies\u201d, S+T+Arts, BOZAR, Brussels Oct. 17, 2019<\/p>\n<p>Benayoun, M., <em>Value of Values in the Mindspaces<\/em>, Invited Speaker, \u201cStarts Days\u201d, Ars Electronica, Linz, Austria, 2019<\/p>\n<p>Benayoun, M., <em>Neuro-Design of Values<\/em>, MindSpaces International Workshop, Paris, France, Jul 4<sup>th<\/sup>, 2019<\/p>\n<p>Benayoun, M., Keynote Speaker, <em>\u201cFrom VR to Transactional Art\u201d, <\/em>ISEA2019 x Hyundai Motorstudio, Seoul ARTLAB | Hyundai Motor Company, Hyundai Motorstudio Seoul, Seoul, Republic of Korea, 27 Jun 2019.<\/p>\n<p>Benayoun, M., Lecture, <em>&#8220;Value of Values, Speculative Speculations on the Blockchain&#8221;<\/em>, ISEA2019, Gwangju, South Korea, Jun 25, 2019<\/p>\n<p>Benayoun, M., Klein, T., Mendoza, N., keynote speakers, <em>&#8220;Value of values, Transactional Art on the Blockchain&#8221;<\/em>, ISEA2019 VoV IVO, Art Center Nabi, Tazak Madang, Seoul, South Korea, Jun 5, 2019<\/p>\n<p>Benayoun,\u00a0M., keynote speaker, <em>&#8220;Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after &#8230;\u201d,<\/em> International Symposium on Chinese Cinema in the 21st\u00a0Century, Fujian Normal University, Fuzhou, China, 10-12 May 2019.<\/p>\n<p>Benayoun, M., Klein, T., <em>Atom, Bit, Coin, Transactional Art Between Sublimation and Reification<\/em>, Art Machines: International Symposium on Computational Media Art, SCM, CityU, Hong Kong, Jan. 2019 Proceedings, pp 96-98, (ISBN: 978-962-442-421-8).<\/p>\n<h3>2018<\/h3>\n<p>Benayoun, M., Keynote speaker, <em>\u201cMatter Doesn\u2019t Matter\u201d<\/em>, Urban Media Art Academy, Media Architecture Biennale, CAFA, Central Academy of Fine Arts, Beijing, China, 13-18 Nov. 2018.<\/p>\n<p>Benayoun, M., organizer, speaker<em>, \u201cThe value of experience in Media Art Education, Open Sky Campus, Border Diggers, 2 case studies\u201d<\/em>, Workshop on media and art, Cornell University, Peking University, CityUniversity, School of Creative Media, CityU, 5-8 Oct. 2018<\/p>\n<p>Benayoun,\u00a0M., keynote speaker, <em>\u201cSpidercity, So Many Eyes on the Urban Web\u201d, <\/em>The meanings of the connected city,\u00a0UNESCO Media Arts Creative City Network Policy Forum 2018, ACC Conference Hall, Gwangju, Republic of Korea, 29 November 2018.<\/p>\n<p>Benayoun,\u00a0M., and Klein, T., \u201cFrom the Brain Factory to Value of Values\u201d, Microwave International New Media Arts Festival 2018: \u201cMuch Ado About Everything &#8211; Artist Symposium, Hong Kong City Hall, Hong Kong, 28 October 2018.<\/p>\n<p>Benayoun,\u00a0M., and Klein, T., <em>\u201cValue of values, Transactional Art on the Blockchain\u201d<\/em>, Microwave International New Media Arts Festival 2018: Much Ado About Everything &#8211; Unconference,\u00a0Microwave International New Media Arts Festival 2018, City University of Hong Kong, Hong Kong, 27 October 2018.<\/p>\n<p>Benayoun, M., keynote speaker, The International Conference on Digital Culture &amp; AudioVisual Challenges<em>: The Digital Outbreak: the End of the End of Art, <\/em>Department of Audio and Visual Arts (Ionian University), Corfu, Greece, 1-3 June 2018<\/p>\n<p>Benayoun, M., keynote speaker, <em>The Aesthetics of Trans Media and the Humanities Across Media Platforms:<\/em> <em>The Digital Drift in Art: from Media to the World as a Brain-Controlled Medium, <\/em>Dongguk University,\u00a0and Cornell University, Seoul, Korea, 18 May 2018<\/p>\n<p>Benayoun, M., moderator, <em>The Aesthetics of Trans Media and the Humanities Across Media Platforms:<\/em> <em>Philosophy of Trans Media: Transmedia and the Sublime, <\/em>Dongguk University and Cornell University, Seoul, Korea, 18 May 2018<\/p>\n<p>Benayoun, M., moderator, <em>The Aesthetics of Trans Media and the Humanities Across Media Platforms:<\/em> <em>Public Artist Screenings and Dialogues, <\/em>Dongguk University and Cornell University, Seoul, Korea, 18 May 2018<\/p>\n<p>Benayoun, M., invited speaker, <em>To be a Media Artist: Apr\u00e8s la peinture, <\/em>Lyc\u00e9e Fran\u00e7ais International de Hong Kong, Hong Kong, 20 April 2008<\/p>\n<p>Benayoun, M., keynote speaker, <em>VR, Between Sublimation and Reification: The Avatars of Materiality in the Age of Artificial Virtuality<\/em>, ACM VRIC, Laval Virtual, Laval France, 30 Mar &#8211; 6 Apr. 2018<\/p>\n<p>Benayoun, M., keynote speaker, <em>Critical Fusion: Fiction Fighting for Reality in the Urban Battlefield<\/em> Symposium Emergent Visions: Adjacency and Urban<em> Screens, <\/em>The School of Art, Design,\u00a0and Media, Nanyang Technological University (NTU), Singapore, 30 Mar &#8211; 01 Apr 2018<\/p>\n<p>Benayoun, M., moderator, <em>Panel Discussion: Art and Conflict, <\/em>Art Central, Hong Kong, 27-31 March 2018<\/p>\n<p>Benayoun, M., invited speaker, <em>Creating the World out of the Human Brain<\/em>, French consulate of Hong Kong, Asia Society, Hong Kong, Jan. 25, 2018<\/p>\n<p>Benayoun, M., invited speaker, <em>The Genesis at the End of the Beginning<\/em>, Ecotic symposium, French Embassy, Tokyo, Japan, Jan. 24, 2018<\/p>\n<h3><a name=\"_Toc240113475\"><\/a><a name=\"_Toc238885467\"><\/a><a name=\"_Toc308973507\"><\/a>2017<\/h3>\n<p>Benayoun, M., keynote speaker, <em>Tracking the Obstacles in Mediated Communication<\/em>, Exhibition Opening Seminar, Museum of Fine Arts, Nanjing University, China, 20 Dec. 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>Recalculating: Are We Lost in the Future of Art?<\/em> Institute of Fine Arts, Nanjing University, China, 18 Dec. 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>Media Arts and its Chinese Public<\/em>, On the road Symposium, Guan Shanyue Museum of Art, Shenzhen, China, Nov. 2017<\/p>\n<p>Benayoun, M., invited speake<em>r, La R\u00e9alit\u00e9 et le Virtuel de la Gen\u00e8se \u00e0 l\u2019Apocalypse, in I love Transmedia<\/em>, La Gait\u00e9, Paris, France, 06 Oct., 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>The 1st International Forum for Creative Mobilities<\/em>, France-Colombia 2017, Grenoble, France, 28-30 Sep 2017<\/p>\n<p>Benayoun, M., keynote speech, Artech 2017: the 8th International Conference on Digital Arts, Macau, Artech International \/ University of Saint Joseph \u2013 Faculty of Creative Industries (Macau-China), 6-8 Sep 2017<\/p>\n<p>Benayoun, M., Master\u2019s Class and Workshop, <em>Crossing Cultural Borders and Virtual Obstacles<\/em>, Workshop, Nanjing University, China, 21-27 August 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>From Information technologies (IT) to VR based art practice through communication obstacles<\/em>, Lecture, Nanjing University, China, 22 August 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>The obstacle: What kind of obstacle makes communication between people of different origin, location, and culture, more difficult?<\/em>, Lecture, Nanjing University, China, 23 August 2017<\/p>\n<p>Benayoun, M., keynote speaker, \u201cAI, All Too Human\u201d, in <em>Why future still needs us: AI and humanity and Machination<\/em>, Robotronica 2017, QUT Art Museum, 2 George St, Brisbane City QLD 4000, Australia<strong>, <\/strong>19 August 2017 <strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p>Benayoun, M., Master\u2019s class, Goldsmiths University, London, UK, August 10, 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>A journey into the sense of smell\u2026<\/em>, Marmite fun literary salon #2, Charbon Art Space, 8\/F, Sing Tek Factory, 44 Wong Chuk Hang Road, Aberdeen, Hong Kong, 20 June 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>An Interactive salon of Art, Innovation, Education, and Conversation<\/em>, <em>A View from the Cloud<\/em>, World Council of Peoples for the United Nations (WCPUN) and Streaming Museum, United Nations Church Center 777 UN Plaza, 44th Street, New York, 17 May 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>Urban Media Art vs. Urban Cosmetics<\/em>, Pre-Launch: URBAN MEDIA ART ACADEMY &#8211; What Urban Media Art Can Do &#8211; Why When Where and How?, Goethe-Institut, Jim Thompson House &amp; Bangkok Art and Culture Centre, Jim Thompson House, 6 Soi Kasemsan, Rama 1 Road, Bangkok, Thailand, 23 April 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>Seminar on Artistic Concept Development: How to Create an urban media art project for Bangkok?<\/em>, Pre-Launch: URBAN MEDIA ART ACADEMY &#8211; What Urban Media Art Can Do &#8211; Why When Where and How?, Goethe-Institut, Jim Thompson House &amp; Bangkok Art and Culture Centre, Goethe-Institut, 18\/1 Soi Goethe, Sathorn 1, Bangkok, Thailand, 25 April 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>Tectonics of Tactics in the Urban Context: A case Study<\/em>, Pre-Launch: URBAN MEDIA ART ACADEMY &#8211; What Urban Media Art Can Do &#8211; Why When Where and How?, Goethe-Institut, Multi-function Room, Bangkok Art and Culture Centre, 939 Rama 1 Rd, Pathum Wan, Bangkok, Thailand, 26 April 2017<\/p>\n<p>Benayoun, M., invited speaker, <em>Urban Media Art and Media Art Practice<\/em>, Urban Media Art and Media Art Practice, Art and Design Department, Tsinghua University, Beijing, China, 13-17 April 2017<\/p>\n<p>Benayoun, M., invited speaker\u00a0and moderator,\u00a0<em>Technologies of the Present | New Media at Work<\/em>, Technologies of the Present \/ New Media at Work, Salon, Auditorium on Level 1, Entrance Hall 1A, Hong Kong Exhibition and Convention Centre, Hong Kong, 23 March 2017<\/p>\n<p>Benayoun, M, \u201cSymposium Art and the Future City\u201d,\u00a0RITCS | Royal Institute for Theatre, Cinema &amp; Sound,\u00a0Erasmus University College, Brussels, Belgium,\u00a019-20.02.2017<\/p>\n<p>Benayoun, M., invited speaker, <em>The Open Sky Project in Hong Kong: artists fighting for the skyline Emotions and Critical Fusion in the urban landscape<\/em>, Symposium Art and the Future City, Beursschouwburg, Rue Auguste Orts 20-28, 1000 Bruxelles, Belgium, 19-20 January 2017<\/p>\n<h3><a name=\"_Toc240113475\"><\/a><a name=\"_Toc238885467\"><\/a><a name=\"_Toc308973507\"><\/a>2016<\/h3>\n<p>Benayoun, M,\u00a0<em>Restauration du Media Art: Entre R\u00e9paration et R\u00e9g\u00e9n\u00e9ration:\u00a0<\/em><em>Du Diable au Pays de la Guerre,\u00a0<\/em>Art num\u00e9rique et post\u00e9rit\u00e9,\u00a0Labex Arts-H2H,\u00a0BnF, Lab. INREV de l\u2019Universite\u0301 Paris 8, Living Art Lab, Biblioth\u00e8que Nationale de France, Paris, France.\u00a007-09.12.2016<\/p>\n<p>Benayoun, M., Keynote: Des <em>Quarxs<\/em> \u00e0 la <em>Brain Factory,\u00a0<\/em>Dialogue between Maurice Benayoun and Fran\u00e7ois Schuiten, Machines \u00e0 dessiner \u00e0 l&#8217;heure du num\u00e9rique\u201d,\u00a0Mus\u00e9e des arts et m\u00e9tiers, Paris, France,\u00a008.12.2016<\/p>\n<p>Benayoun, M.,\u00a0<em>The Value of Experience in Urban Media Art Education: A Full Size Case Study<\/em>, \u00a0Creative Arts in Tertiary Education CATE Roundtable 2016: An Inter-tertiary Symposium on Creative Arts Education in Hong Kong,\u00a0Department of Cultural and Creative Arts, The Education University of Hong Kong,\u00a001.12.2016<\/p>\n<p>Benayoun, M., <em>Machine generation, Neural Selection, Wetware and Reversed Designing<\/em>, NCC2016: CT FORUM + DICON = Next Content Conference,\u00a0The Korea Creative Content Agency (KOCCA), COEX, Seoul, 15 \u2013 16.11.2016<\/p>\n<p>Benayoun, M., Artist talk, \u00a0<em>The Unpredictable Future of Dumped Art Project and his online work \u2013 The Dump \u2013 that became eventually a doctorate thesis<\/em>, \u201cTranslatio Exhibition\u201d,\u00a0CHARBON art space, Hong Kong, 08.10.2016<\/p>\n<p>Benayoun, M., keynote:\u00a0<em>Internet &#8211; the Sublimation of the Global Body<\/em>, \u201cThe First Summit Forum for Global Internet Governance\u201d,\u00a0Institute of Journalism and Communication, Chinese Academy of Social Science.\u00a0Beijing Normal University, Beijing, China,\u00a022.10 \u2013 23.10.2016<\/p>\n<p>Benayoun, M., keynote: <em>Brain Factory<\/em>, <a href=\"https:\/\/www.facebook.com\/media\/set\/?set=a.10153484699221333&amp;type=3\">Festival des <em>Bains Num\u00e9riques<\/em>, <\/a>Centre des Arts, Enghien les Bains, France, Paragraphe Universit\u00e9 Paris 8 et R\u00e9seau Arts Num\u00e9riques, 01.06 \u2013 06.06.2016. http:\/\/www.cda95.fr\/en\/bains-numeriques\/brain- factory-prototype<\/p>\n<p>Benayoun, M., <em>The Memory Dump, the Disregarded Power of Undone Art<\/em>, in <em>e-discourse in online networked communities: structure, timing, tone, and affect<\/em>, ISEA2016, 16.05-22.05.2016, Peer review speaker. ISEA2016_Proceedings Catalogue_P.423-425<\/p>\n<p>Benayoun, M., <em>Overscale Art in Public Space: from Play to Dysplay<\/em> in \u201cGigantic: Mediation Beyond Surface\u201d, ISEA2016, City University of Hong Kong, 16.05-22.05.2016, Peer review speaker. ISEA2016_Proceedings Catalogue_P.380-381<\/p>\n<p>Benayoun, M., <em>Urban Media War. the war for Attention<\/em>, <em>What Urban Digital Art Can Do?<\/em> Human Vibration, Hong Kong Arts Development Council, Chi K11 Art Space, Tsim Sha Tsui. 22.05.2016. http:\/\/www.mediaarts.hk\/?a=group&amp;id=5_education_activities<\/p>\n<p>Benayoun, M., keynote: <em>From LIGHTING to ENLIGHTENMENT, Light Making Sense<\/em>, 2015 International Lighting and Creative City Forum, Guangzhou International Light Festival.15.11.2015<\/p>\n<h3>2015<\/h3>\n<p>Benayoun, M, <em>Connecting and Disrupting Public Space: from the Tunnel under the Atlantic to the Open Sky Gallery<\/em>, ISEA2015, Vancouver, Canada. 14.08 \u2013 08.08.2015. peer review lecture. <a href=\"https:\/\/isea2015.sched.org\/mb22\">https:\/\/isea2015.sched.org\/mb22<\/a><\/p>\n<p>Benayoun, M., <em>D\u00e9chiffrage et chiffrage de la cr\u00e9ation cod\u00e9e: 30 ans de pratique \u00e0 risque dans le champ du num\u00e9rique<\/em>, video conference, ArtComTec, Transnumeriques, Mons 2015, Belgium, Caf\u00e9 Europa, Ecole des Beaux-Arts de Mons, ARTS. 1.12.2015. http:\/\/transnumeriques.be\/en\/#<\/p>\n<p>Benayoun, M., <em>What Remains of Art when Technology Vanishes? 25 years of practice in spite of technology,<\/em> ArtCamp ArtComTec videoconferencing seminars, Ladislav Sutnar Faculty of Design and Art of the West Bohemia, University in Pilsen, European Capital of Culture 2015. <a href=\"http:\/\/www.fdu.zcu.cz\/en\/1237-artcom-tec-videoconferencing-seminars-at-artcamp-2015\">http:\/\/www.fdu.zcu.cz\/en\/1237-artcom-tec-videoconferencing-seminars-at-artcamp-2015<\/a><\/p>\n<p>Benayoun, M., New Media Art Works: 1990 \u2013 2016, conference invited by Prof Pierre Soulages, Universite Paris 8, France. 8.12.2015<\/p>\n<p>Benayoun, M., <em>Exhibition as Art. Art as Exhibition<\/em>, invited by M. Bo Zheng, MA Digital Media for Curating Art. SCM City University of Hong Kong 19.11.2015.<\/p>\n<p>Benayoun, M., Lecture<em>: Maieutics in Museums. Egonomy of Cultural Data<\/em>, video conference <em>Museum in Motion<\/em> symposium, University of Thessaly, Department of Architecture, Pedion Areos, 38334, Volos, Greece. 4.7.2015. Video: <a href=\"https:\/\/pithos.okeanos.grnet.gr\/public\/J2m6zG9THRnLmTbZntY7g2\">https:\/\/pithos.okeanos.grnet.gr\/public\/J2m6zG9THRnLmTbZntY7g2<\/a><\/p>\n<p>Benayoun, M., \u201cConnecting and Disrupting Public Spaces: from the \u201cTunnel under the Atlantic\u201d to the Open Sky Campus&#8221;, ISEA2015 proceedings, 2015, Vancouver, <a href=\"https:\/\/isea2015.sched.org\/event\/3aZp\/at4-artist-talk-session-4\">https:\/\/isea2015.sched.org\/event\/3aZp\/at4-artist-talk-session-4<\/a><\/p>\n<p>Benayoun M., <em>Bulk Keywords for Open Art Practice: Architecture, Wind, Emotions, Stock, Fragrance, Dump, War, Urban, Fusion, Memory, phatic, virtuality\u2026\u00a0<\/em>, Seoul Art Space Geumcheon &#8216;DA VINCI CREATIVE 2015&#8217; <strong>, <\/strong>Organized by Seoul Foundation for Arts and Culture, Seoul, Korea, 3-30 Sep 2015<\/p>\n<p>Benayoun M., <em>\u201cConnecting and Disrupting Public Spaces: from the \u2018Tunnel under the Atlantic\u2019 to the Open Sky Campus\u201d,<\/em> 21<sup>ST<\/sup> International Symposium on Electronic Art, ISEA 2015, Vancouver, Canada, 14-18 August 2015<\/p>\n<p>Benayoun M., <em>\u201cWhat Remains of Art When Technology Vanishes? 25 years of practice in spite of technology\u201d<\/em>.\u2028ArtComTec \/ videoconferencing seminars at ArtCamp 2015, organized by Universit\u00e9 Europ\u00e9enne de la Recherche, Pilsen, Czech Republic, 27 July 2015<\/p>\n<p>Benayoun M., <em>&#8220;Ma\u00efeutics in Museums,\u00a0egonomy of cultural data&#8221;, <\/em>\u201cMuseums in Motion\u201d symposium, in University of Thessaly, Volos, Greece on Friday 3rd and Saturday 4th of July 2015<\/p>\n<p>Benayoun M., <em>&#8220;Diable est-il (toujours) courbe?\u201d,<\/em> Festival Futur en Seine &#8211; Exposition Des histoires d&#8217;art et d&#8217;interactivit\u00e9, organized by UNIVERSIT\u00c9 PARIS 8, VINCENNES-SAINT-DENIS, Paris, 10-14 June 2015<\/p>\n<p>Benayoun M., <em>\u201c<\/em><em>Urban Media Art, Critical Fusion vs Urban Cosmetics<\/em><em>\u201d<\/em>, challenge contemporary artistic and curatorial engagements with digital art in the urban domain, organized by Copenhagen University, Copenhagen, 12 June 2015<\/p>\n<p>Benayoun M., <em>\u201c<\/em><em>Corps Global et m\u00e9tabolisme g\u00e9opolitique<\/em><em>\u201d<\/em>, P\u00f4les Culture et Luxe et HEC Marketing et Communication \u2013 L\u2019art Numerique, Bastille Design Center, Paris, 31 March 2015<\/p>\n<p>Benayoun M., <em> \u201c<\/em><em>Critical Fusion vs Urban Cosmetics<\/em><em>\u201d<\/em>,<em> \u201cAlternative Futures: Curating Hong Kong\u201d<\/em>-Public Workshop &amp; Panel Discussion, public workshop, organized by Connecting Spaces Hong Kong \u2013 Z\u00fcrich in collaboration with Zurich University of the Arts, Hong Kong, 15th March 2015<\/p>\n<p>Benayoun M.,<em> \u201cArt Open Sky Pervasion and Disruption of the Public Space\u201d, <\/em>Symposium Art and Public Space, Lessons from History, Current Example and Future Perspectives, organized by University of Applied Arts Vienna\/Austria and School of Creative Media of CityU, Hong Kong, 12th March 2015<\/p>\n<h3><a name=\"_Toc308973508\"><\/a>2014<\/h3>\n<p>Benayoun M., <em>\u201cartiste et plasticien des arts num\u00e9riques \/ Les Tunnels Around the World abolissent-ils les fronti\u00e8res, relient-ils les territoires par l\u2019image?\u2028\u201d<\/em> <em>Aux frontiers du reel\u2026 et du virtuel \/ mobilit\u00e9s transfrontali\u00e8res<\/em>, 12e Rencontres Passeurs d\u2019images<em>, <\/em>Paris, France, 18th December 2014<\/p>\n<p>Benayoun M., <em>\u201c<\/em>Creative Media from animation to public art<em>\u201d<\/em>, China-UK Higher Ed Creative Media Forum,\u00a0Shenzhen City\u2019s Commission on Science, Technology and Innovation, co-produced by the Shenzhen Commission and British Embassy\u2019s Cultural-Education Section, Shenzhen, China, 15th December 2014<\/p>\n<p>Benayoun M., \u201c<em>Digital Arts and Multi-Disciplinary Practice: The Artist in Science, History, and Cultural Studies\u201d<\/em>, SIGGRAPH Asia 2014,\u00a0Asia Panels Explore the Evolution of Digital Art,\u00a0Shenzhen Convention and Exhibition Centre, Shenzhen, China, 6th December 2014<\/p>\n<p>Benayoun M., <em>Touch the Virtual<\/em>, SENSORIAL: Body, Media and the Relational World, LEEUM, Samsung Museum of Art, Seoul, Korea, 28th October 2014<\/p>\n<p>Benayoun M., \u201c<em>Emotion Winds 2014\u201d<\/em>,\u00a0Artist\u2019s talk, VIA art fair Hors-les-murs, Paris, France, 22nd October &#8211; 3rd November 2014<\/p>\n<p>Benayoun M., \u201c<em>White Cube Alpha\u201d (Perfume, Installation),<\/em> Variation-Media Art Fair, Espace des Blanc Manteaux, Paris, France, 21st -26th October, 2014<\/p>\n<p>Benayoun M., \u201c<em>KITSUN, an Example of Extended Relativity applied to Urban Navigation\u201d<\/em>, EuroplA 14:\u00a0Architecture, City and\u00a0Information Design,\u00a014th International conference on advances in design sciences and technology, Nice, France, 1st October 2014<\/p>\n<p>Benayoun M., <em>&#8220;Aesthetics, Politics and Economics of Attention. The New Role of the Artist in Public Space at the Digital Era&#8221;<\/em>, &#8220;Transformation, Innovation, and Leap Development&#8221;, BIT\u2019s 1st Annual Global Congress of Knowledge Economy 2014 (GCKE-2014), Qingdao, China, 22 September 2014<\/p>\n<p>Benayoun M., \u201cOpen Media Art from the Screen to the Public Space\u201d, The End of Media, the Beginning of Art, Polytech.Science.Art, Polytechnic Museum, Moscow, Russia, 14th August 2014<\/p>\n<p>Benayoun, M., Artist Talk, \u201cEmotion Winds\u201d, Metamorphosis of the Virtual 5 + 5, Chi K11 Art Space, K11 Concepts, Shanghai, China, 5th July 2014.<\/p>\n<p>Benayoun, M., \u201cDe la vid\u00e9o \u00e0 la fusion critique\u201d, <em>What is the Future of the Image in Our Hands with Digital tools, <\/em>The Cinema Belongs to Us Conference, Mashup Film Festival, Forum des Images, Paris, France, 14th June 2014<\/p>\n<p>Benayoun, M., <em>2014 CHCI Annual Meeting: Concept of Performance in New Media Art<\/em>, Chinese University of Hong Kong, Hong Kong, 7th June 2014<\/p>\n<p>Benayoun, M., <em>Art and Values Symposium<\/em>, City University of Hong Kong &amp; Osage Art Foundation, 17th May 2014<\/p>\n<p>Benayoun, M., <em>New Technologies and the Future of Humanities<\/em>, ACM and Dept of English, 17th May 2014<\/p>\n<p>Benayoun, M., <em>Mus\u00e9ology seminar<\/em>, IRI Centre Pompidou, Paris, France, 13th May 2014<\/p>\n<p>Benayoun, M., <em>Spectateur(s): Un Promeneur Augment\u00e9<\/em>, Lecture, Soci\u00e9t\u00e9 Civile des Auteurs Multim\u00e9dia and Paris 8 University, Paris, France, 7th-8th April 2014<\/p>\n<p>Benayoun, M., <em>Developing Common Stage International Forum<\/em>, Zurich University of Art, 27th February \u2013 1st March 2014<\/p>\n<h3><a name=\"_Toc308973509\"><\/a>2013<\/h3>\n<p>Benayoun, M., Besan\u00e7on, Fl., \u201c<em>The Maieutic Engine, Beyond Recommendation in Cultural Databases<\/em><em>\u201d<\/em><em>, <\/em><em>Museums and the Web Asia,<\/em> Sheraton Hotel and Towers, Hong Kong, 8<sup>th<\/sup>-12<sup>th<\/sup> December 2013<\/p>\n<p>Benayoun, M., \u201c<em>Next Level of Art: Game\u201d, Alice On, <\/em>Seoul, South Korea, 9<sup>th<\/sup> November 2013<\/p>\n<p>Benayoun, M., Keynote, \u201c30 ans de 3D Fran\u00e7aise\u201d, Centre des Arts, Enghein Les Bains, France, October 2013<\/p>\n<p>Benayoun, M., <em>Open Media Art, The New Relational Modalities in Art \/ World Immersion, Fusion, Critical Fusion, <\/em>Keynote speech, \u201cExtended Art\u201d conference, University of Aegean, Syros, Greece, July 2013.<\/p>\n<p>Benayoun, M., Workshop, <em>Real and Virtual, <\/em>\u201cExtended Art\u201d conference, University of Aegean, Syros, Greece, 15<sup>th<\/sup>&#8211; 20<sup>th<\/sup> July 2013.<\/p>\n<p>Benayoun, M., <em>Closing Open Media Art, <\/em>Chairman\u2019s conclusion, \u201cExtended Art\u201d conference, University of Aegean, Syros, Greece, 21<sup>st<\/sup> July 2013.<\/p>\n<p>Benayoun, M., <em>Open Media Art from Cosmetics to Critical Fusion<\/em>, ISEA2013, Sydney, Australia, in Digital and Experimental Art: Past, Present, Future, June, 11. Peer review conf. A+.<\/p>\n<p>Benayoun.M.,<em> Si Vis Pacem, Para Numerica Bellum, Digital Peace 2013, <\/em>Platoon Kunsthalle, Seoul, Korea, 11<sup>th<\/sup> May 2013.<\/p>\n<p>Benayoun, M., <em>Workshop<\/em>, Tisch Asia, New York University, Singapore, April 2013,<\/p>\n<p>Benayoun, M., <em>Art Shiftings<\/em>, Friday Talks, Tisch Asia, New York University, Singapore, 26 April 2013.<\/p>\n<p>Benayoun, M., <em>Emotions and Interactivity<\/em>, This Happened, K11 Art Space, Hong Kong, 21<sup>st<\/sup> February 2013.<\/p>\n<h3><a name=\"_Toc308973510\"><\/a><a name=\"_Toc240113476\"><\/a><a name=\"_Toc238885468\"><\/a>2012<\/h3>\n<p>Benayoun, M., <em>Ubiquit\u00e9 et emotion, <\/em>PREAC \u201cLes lieux et les temps de l\u2019image\u201d, Videoconference, Centre des Arts, Enghien les Bains and CRDP Cr\u00e9teil, France, 12<sup>th<\/sup> December 2012<\/p>\n<p>Benayoun, M., <em>Emotion Scape, Economics of Emotions,<\/em> (Keynote) Media Prism conference, Seoul, Korea, 24<sup>th<\/sup> November 2012<\/p>\n<p>Benayoun, M., <em>Art as Playtime<\/em>, (Keynote) Playtime, Culture station, Seoul, Korea, 23<sup>rd<\/sup> November 2012.<\/p>\n<p>Benayoun, M., <em>Le Principe de r\u00e9alit\u00e9, l\u2019art en fusion<\/em>, (Keynote) Colloque International sur les pratiques de creation de l\u2019Image num\u00e9rique, Obs\/In, Palais des congres, Arles, France, 19<sup>th<\/sup> October 2012.<\/p>\n<p>Benayoun, M., <em>Tunnels around the World<\/em>, Artist Talk, Garage, ZERO1 Biennial, Jan Jose CA, USA, 12<sup>th<\/sup> September 2012<\/p>\n<p>Benayoun, M., <em>From Augmented Reality to Extended Art<\/em>, talk and conf. organisation, H2H Lab days, Le104, Paris, 2<sup>nd<\/sup>-3<sup>rd<\/sup> April 2012<\/p>\n<p>Benayoun, M., <em>The Revenge of Homo Faber<\/em>, Laval Virtual, France, 29<sup>th<\/sup> March 2012.<\/p>\n<p>Benayoun, M., <em>\u201cThe Art Collider\u201d et la Creation transactionnelle<\/em>, PraTIC, Les Gobelins, Paris, 20<sup>th<\/sup> February 2012.<\/p>\n<p>Benayoun, M., <em>Converging Parallel of Open Media Art<\/em>, City University Hong Kong, Kowloon, Hong Kong, 7<sup>th<\/sup> February 2012.<\/p>\n<p>Benayoun, M., <em>Critical Fusion, step by step<\/em>, Media Art Banquet, Artist Lecture Program, Parsons, the New School for Design, New York City, NY, 2<sup>nd<\/sup> February 2012<\/p>\n<p>Benayoun, M., <em>Open Media Art and Critical Fusion, Contemporary Voices<\/em>, Cathy Brew, School of Visual Arts (SVA), New York City, NY, 2<sup>nd<\/sup> February 2012<\/p>\n<p>Benayoun, M., <em>The whisper of interactivity<\/em>, Dodge Hall, Columbia University, New York City, NY, 1<sup>st<\/sup> February 2012<\/p>\n<p>Benayoun, M., <em>The Art Collider, an ecosystem for transactional creation<\/em>, conference Columbia University, New York City, NY, 1<sup>st<\/sup> February 2012<\/p>\n<p>Benayoun, M., <em>Extended World<\/em>, R\u00e9alit\u00e9 augment\u00e9e adaptative, SIME-SITEM, Carrousel du Louvre, Paris, 25<sup>th<\/sup> January 2012.<\/p>\n<p>Benayoun, M., <em>Design comportemental et sc\u00e9nario d\u2019environnement<\/em>, <em>Design moi un robot<\/em>, round table, Cit\u00e9 du Design, Saint Etienne, France 24<sup>th<\/sup> January 2012.<\/p>\n<h3><a name=\"_Toc308973511\"><\/a><a name=\"_Toc240113477\"><\/a><a name=\"_Toc238885469\"><\/a>2011<\/h3>\n<p>Benayoun, M., <em>Memory Dumped, de L\u2019auto-archivage imm\u00e9diat<\/em>, Ecole sup\u00e9rieure d\u2019Art de Bretagne, Lorient, Frnace, 7<sup>th<\/sup> December 2011.<\/p>\n<p>Benayoun, M., <em>L\u2019\u00e9ph\u00e9m\u00e8re Forever, <\/em>e-Formes 4, CIEREC \u2013 Universit\u00e9 Jean Monnet, Saint Etienne, France, 3<sup>rd<\/sup> December 2011.<\/p>\n<p>Benayoun, M., <em>The Art Collider et la cr\u00e9ation transactionnelle,<\/em> Journ\u00e9e d\u2019\u00e9tude PraTIC, <em>Strat\u00e9gies et pratiques alternatives des r\u00e9seaux<\/em>, \u00e9cole des Gobelins, France 21<sup>st<\/sup> November 2011.<\/p>\n<p>Benayoun, M., <em>0.7 OPEN ART<\/em>, Le Fresnoy, Studio National des Arts Contemporains, Tourcoing, France, 9<sup>th<\/sup> November 2011.<\/p>\n<p>Benayoun, M., <em>H2H Art Lab, L\u2019Art comme forme avanc\u00e9e de la recherche sur les m\u00e9diations humaines, <\/em>iMAL, Bruxelles, 2<sup>nd<\/sup> November 2011.<\/p>\n<p>Benayoun, M., <em>Creation as Research \/ Research as Creation<\/em>, <em>Monday Night Seminar<\/em>, McLuhan Program, University of Toronto, Canada, 31<sup>st<\/sup> October 2011.<\/p>\n<p>Benayoun, M., <em>The Aesthetic and Informational Curvature of the World, Egonomics in Arts and Research, <\/em>Keynote closing lecture, Meet The Media Guru, Digifest, Toronto, Canada, 27<sup>th<\/sup> October 2011.<\/p>\n<p>Benayoun, M., <em>Open Art et autres pratiques de survie<\/em>, Mus\u00e9e des Beaux Arts d\u2019Orl\u00e9ans, Orleans, France, October 2011.<\/p>\n<p>Benayoun, M., <em>Les d\u00e9bordements du num\u00e9rique, Open Art et Fusion Critique, <\/em>Entretiens Jacques Cartier, Montr\u00e9al, Canada, 3<sup>rd<\/sup> October 2011.<\/p>\n<p>Benayoun, M., <em>Pecha Kucha,<\/em> Entretiens Jacques Cartier, SAT, Montreal, Canada, 2<sup>nd<\/sup> October 2011.<\/p>\n<p>Benayoun, M., <em>Open Art, from the Dump to the Collider<\/em>, Open World Forum, Paris, 24<sup>th<\/sup> September 2011.<\/p>\n<p>Benayoun, M., <em>Art et Internet, Nouvelles pratiques transactionnelles, <\/em>Institut Fran\u00e7ais, Istanbul, Turkey, 19<sup>th<\/sup> September 2011.<\/p>\n<p>Benayoun, M., <em>CITU-Paragraphe in Supporting a Network of Excellence, <\/em>ISEA, International Symposium on Electronic Arts, Istanbul Sabanci University, Turkey, 15<sup>th<\/sup> September 2011.<\/p>\n<p>Benayoun, M., <em>The Art Collider, Transactional Creation, Workshop, <\/em>ISEA, International Symposium on Electronic Arts, Istanbul Sabanci University, Turkey, 15<sup>th<\/sup> September 2011.<\/p>\n<p>Benayoun, M., <em>Open Art, from Transactional Aesthetics to Critical Fusion<\/em>, Futur en Seine, La Gait\u00e9 Lyrique, Paris, 21<sup>st<\/sup> June 2011.<\/p>\n<p>Benayoun, M., <em>Media Art\u00a0: Dialogue, Transactions, Emotions,<\/em> (Keynote), <em>Trangressing the Senses<\/em>, University of Silesia, Katowice, Poland, 19<sup>th<\/sup> May 2011.<\/p>\n<p>Benayoun, M., <em>E-Forecast, Economics of Emotions, Trangressing the Senses<\/em>, University of Silesia, Katowice, Poland, 20<sup>th<\/sup> May 2011.<\/p>\n<p>Benayoun, M., <em>Open Art: El Arte despu\u00e9s de la technologia, <\/em>Festival de la Imagen, Manizales, Colombia, 14<sup>th<\/sup> April 2011.<\/p>\n<p>Benayoun, M., <em>Fusion Critique, appropriation de l\u2019espace public<\/em>, Workshop, Ecole sup\u00e9rieure des Beaux Arts, Le Port, R\u00e9union, March 2011.<\/p>\n<p>Benayoun, M., <em>The Art Collider: Towards Transactional Aesthetics, Against All Odds Project<\/em> conference, School of Fine Arts, Athens, 19<sup>th<\/sup> January 2011.<\/p>\n<h3><a name=\"_Toc308973512\"><\/a><a name=\"_Toc240113478\"><\/a><a name=\"_Toc238885470\"><\/a>2010<\/h3>\n<p>Benayoun, M., <em>Open Art: a Human to Human Permanent Lab<\/em>, Social Innovation and Technological Innovation conference, Federal University Rio, November 2010.<\/p>\n<p>Benayoun, M., <em>Open Art? <\/em>Fondation Genshagen, Berlin, Germany, 21<sup>st<\/sup> October 2010.<\/p>\n<p>Benayoun, M., <em>Open Art\u00a0: le num\u00e9rique\u2026 et apr\u00e8s\u00a0? <\/em>in<em> Cr\u00e9ation artistique et r\u00e9volution num\u00e9rique<\/em>, Observatoire des politiques culturelles, Conseil r\u00e9gional, Charbonni\u00e8res les Bains, France, 4<sup>th<\/sup> October 2010.<\/p>\n<p>Benayoun, M., <em>Quand les \u00e9motions deviennent formes<\/em>, ACM Siggraph France, Atelier BNP Paribas, 22<sup>nd<\/sup> June 2010.<\/p>\n<p>Benayoun, M., <em>Open Art, L\u2019art apr\u00e8s la technologie, <\/em>Centre des Arts, Enghien les Bains, France, 17<sup>th<\/sup> June 2010.<\/p>\n<p>Benayoun, M., <em>Navigation sensible, interfaces intuitives, browsing urbain et navigation dans les donn\u00e9es culturelles, i-expo, Paris, <\/em>9<sup>th<\/sup> June 2010.<\/p>\n<p>Benayoun, M., <em>Bases de donn\u00e9es urbaines, R\u00e9alit\u00e9 Virtuelle et R\u00e9alit\u00e9 Augment\u00e9e<\/em>, THD, Centre Georges Pompidou, Paris, France, 27<sup>th<\/sup> May 2010<\/p>\n<p>Benayoun, M., <em>Le devenir de l\u2019A.M.E., la r\u00e9alit\u00e9 virtuelle comme \u00e9cosyst\u00e8me pour la cr\u00e9ation artistique, <\/em>in<em> 01 Design, Design assist\u00e9 par concepteur, <\/em>Couvent de La Tourette, L\u2019Arbresle, France, 19<sup>th<\/sup> May 2010.<\/p>\n<p>Benayoun, M., <em>Open Art and other survival practices<\/em>, School of Visual Art, New York City, NY, USA, 18<sup>th<\/sup> March 2010.<\/p>\n<p>Benayoun, M., <em>Open Art, Shifting the World,<\/em> AAP Department of Art, Goldwin Smith Hall, Cornell University Ithaca, NY, USA, 16<sup>th<\/sup> March 2010.<\/p>\n<p>Benayoun, M., <em>Tinkering with the Art Collider, <\/em>Thze Tinker Factory, Cornell University Ithaca, NY, USA, 15<sup>th<\/sup> March 2010.<\/p>\n<p>Benayoun, M., <em>Tools for Propaganda<\/em>, <em>World Skin<\/em>, V2 Rotterdam, Pays Bas, 11th March 2010.<\/p>\n<p>Benayoun, M., <em>The Art Collider<\/em>, INHA, Mus\u00e9e du Quai Branly, Paris, France, 19<sup>th<\/sup> February 2010.<\/p>\n<p>Caf\u00e9 des sciences, FMSH, Paris, France, 16<sup>th<\/sup> February 2010.<\/p>\n<p>Benayoun, M., <em>Ce qui reste quand on a coup\u00e9 le courant<\/em>, Colloque Collectionner l\u2019art num\u00e9rique et immat\u00e9riel, Drouot Montaigne, Paris, 12<sup>th<\/sup> February 2010.<\/p>\n<p>Benayoun, M., <em>Works<\/em>, Colloque Collectionner l\u2019art num\u00e9rique\u2026, Drouot Montaigne, Paris, 12<sup>th<\/sup> February 2010.<\/p>\n<p>Benayoun, M., <em>Usages, TerraNumerica<\/em>, conf\u00e9rence de cl\u00f4ture du programme de recherche, La Bellevilloise, Paris, 14<sup>th<\/sup> January 2010.<\/p>\n<p>Benayoun, M., <em>La Montre Verte, Living Things<\/em>, Cap Digital, Paris, France, 6<sup>th<\/sup> January 2010.<\/p>\n<h3><a name=\"_Toc308973513\"><\/a><a name=\"_Toc240113479\"><\/a><a name=\"_Toc238885471\"><\/a>2009<\/h3>\n<p>Benayoun, M., <em>Paris illumine Paris<\/em>, Cap Digital, 16<sup>th<\/sup> December 2009.<\/p>\n<p>Benayoun, M., <em>Les \u00e9motions ont-elles une forme\u00a0? Du concept, au percept, \u00e0 l\u2019affect, tentative de r\u00e9ification de la subjectivit\u00e9 mondiale,<\/em> Colloque Virtureal, CIRTES, Saint Di\u00e9 des Vosges, 9<sup>th<\/sup> December 2009.<\/p>\n<p>Benayoun, M., <em>Le Monde en fusion critique, <\/em>Entretiens Jacques Cartier, Hotel de Ville, Lyon, France, 1<sup>st<\/sup> December 2009.<\/p>\n<p>Benayoun, M., <em>The Art Collider, <\/em>Workshop, San Francisco Art Institute, USA 10<sup>th<\/sup> \u2013 16<sup>th<\/sup> November 2009.<\/p>\n<p>Benayoun, M., <em>artist\u2019s talk, Digital Art International<\/em>, La Cantine, 23<sup>rd<\/sup> October 2009.<\/p>\n<p>Benayoun, M., <em>Comment les \u00e9motions bouleversent le monde, <\/em>ICC la Grande Arche, La D\u00e9fense, France, 8<sup>th<\/sup> October 2009.<\/p>\n<p>Benayoun, M., <em>Appropriation artistique des syst\u00e8mes d\u2019information globaux<\/em>, H2PTM, universit\u00e9 Paris 8, Paris, France, September 2009.<\/p>\n<p>Benayoun, M., <em>Recherches et travaux, Bains Num\u00e9riques,<\/em> Centre des Arts, Enghien les Bains, France, 12<sup>th<\/sup> June 2009.<\/p>\n<p>Benayoun, M., <em>La crise de nerfs du corps global, Hyperurbain 2, <\/em>la Cit\u00e9 des Sciences de la Villette, 3<sup>rd<\/sup> June 2009.<\/p>\n<p>Benayoun, M., <em>Emotivit\u00e9 augment\u00e9e, TED Paris, <\/em>La Cantine, Paris, 28<sup>th<\/sup> May 2009.<\/p>\n<p>Benayoun, M., <em>R\u00e9alit\u00e9s mixtes, Immat\u00e9rielles, <\/em>la Maison des M\u00e9tallos, Paris, 19<sup>th<\/sup> May 2009.<\/p>\n<p>Benayoun, M., <em>Du TelescopeRA \u00e0 la Montre Verte, Mardis de l\u2019innovation, <\/em>Centre National des Arts et M\u00e9tiers, Paris, 12<sup>th<\/sup> May 2009.<\/p>\n<p>Benayoun, M., <em>Les Quarxs, Dieu et le Diable,<\/em> FMX09 Stuttgart, Germany, May 2009.<\/p>\n<p>Benayoun, M., <em>La M\u00e9canique des \u00e9motions<\/em>, MOBS Paris, May 2009.<\/p>\n<p>Benayoun, M., <em>Works,<\/em> Kunst Universit\u00e4t, Linz, Austria, April 2009.<\/p>\n<p>Benayoun, M., <em>PhD in Art vs PhD Art, case study the Dump: defending a blog \u00e0 la Sorbonne,<\/em> Kunst Universit\u00e4t, Linz, Austria, April 2009.<\/p>\n<p>Benayoun, M., <em>Practices in mutations, from Video to Critical Fusion<\/em>, San Francisco Art Institute, USA, April 2009<\/p>\n<p>Benayoun, M., <em>Works, from Virtual Reality to Critical Fusion,<\/em> Espacio Fundacion Telefonica, Buenos Aires, Argentina, March 2009.<\/p>\n<p>Benayoun, M., <em>Art after Technology, Facts and Impacts,<\/em> Euro-american Forum for Cultural Cooperation, Buenos Aires, Argentina, March 2009.<\/p>\n<p>Benayoun, M., <em>Questions, situations, immersion, fusion,<\/em> Ecole Nationale Sup\u00e9rieure d&#8217;Art, Dijon, France, March 2009.<\/p>\n<p>Benayoun, M., <em>L&#8217;Art d&#8217;apr\u00e8s la technologie,<\/em> Geneva Zoo, Switzerland, March 2009.<\/p>\n<p>Benayoun, M., <em>Au del\u00e0 de l&#8217;image, la visite en situations,<\/em> cit\u00e9 des sciences de la villette, Paris, France, February 2009.<\/p>\n<p>Benayoun, M., <em>L&#8217;exp\u00e9rience de l&#8217;exposition et la visite du sens,<\/em> SITEM, Paris, January 2009.<\/p>\n<h3><a name=\"_Toc308973514\"><\/a><a name=\"_Toc240113480\"><\/a><a name=\"_Toc238885472\"><\/a><a name=\"_Toc319918613\"><\/a>2008<\/h3>\n<p>Benayoun, M., <em>Le virtuel et apr\u00e8s, de l\u2019immersion \u00e0 la fusion critique, <\/em>UTC Compi\u00e8gne, France, 11<sup>th<\/sup> December 2008.<\/p>\n<p>Benayoun, M., <em>In Out x.0<\/em>, La Maison Populaire, Montreuil, Paris, France, December 2011.<\/p>\n<p>Benayoun, M., <em>Le temps qu\u2019il fait, la carte postale et l\u2019interactivit\u00e9<\/em>, s\u00e9minaire, eArts Community, Shanghai, China, 19<sup>th<\/sup> October 2008<em>.<\/em><\/p>\n<p>Benayoun, M., <em>Experiencing Art: Immersed in Last Life<\/em>, Centre d\u2019Art Contemporain Laznia, Gdansk, Poland, 10<sup>th<\/sup> October 2008.<\/p>\n<p>Benayoun, M., <em>Telling Stories, in <\/em>Last Life, Triennale, Milan, Italy, 24<sup>th<\/sup> September 2008.<\/p>\n<p>Benayoun, M., <em>Fusion Art + Technology, the Critical Mess<\/em>, University of Zagreb, Croatia, 14<sup>th<\/sup> June 2008.<\/p>\n<p>Benayoun, M., <em>La M\u00e9canique des \u00e9motions<\/em>, table ronde, Pierre de la Coste, Le Cube, Issy les Moulineaux, 5<sup>th<\/sup> June 2008.<\/p>\n<p>Benayoun, M., <em>Au del\u00e0 de l\u2019image, la visite en situations<\/em>, Cit\u00e9 des Sciences de la Villette, Paris, 29<sup>th<\/sup> May 2008.<\/p>\n<p>Benayoun, M., <em>R\u00e9alit\u00e9 augment\u00e9e, recherches en cours<\/em>, Rencontres Cap Digital, Paris, 23rd May 2008.<\/p>\n<p>Benayoun, M., <em>(\u2026) Fusion Critique (\u2026)<\/em>, Observatoire des politiques culturelles, Grenoble, France, 13<sup>th<\/sup> May 2008.<\/p>\n<p>Benayoun, M., <em>Choses<\/em>, IN-OUT, workshop, ENSA Nancy, March 2008.<\/p>\n<p>Benayoun, M., <em>Faire parler la pierre, le patrimoine r\u00e9anim\u00e9<\/em>, Laval, France, 27<sup>th<\/sup> March, 2008.<\/p>\n<p>Benayoun, M., <em>IN-OUT, la recherche au Citu<\/em>, universit\u00e9 Paris 1, France, 21<sup>st<\/sup> March 2008.<\/p>\n<p>Benayoun, M., <em>Memory skin and Eraser Glaze<\/em>, sk-Interface conference, FACT, Liverpool, UK, 9<sup>th<\/sup> February 2008.<\/p>\n<p>Benayoun, M., <em>Ceci n\u2019est pas l\u2019exposition<\/em>, exposition des Grandes Questions \u00e0 la D\u00e9charge, Eesi (Ecole Europ\u00e9enne Sup\u00e9rieure de l\u2019Image), Poitiers, France, January 2008.<\/p>\n<p>Benayoun, M., <em>Fusion Critique, espace, mati\u00e8re, distance, m\u00e9moire<\/em>, ARTEM, L\u2019Autre Canal, Nancy, France. 14<sup>th<\/sup> January 2008.<\/p>\n<h3><a name=\"_Toc308973515\"><\/a><a name=\"_Toc240113481\"><\/a><a name=\"_Toc238885473\"><\/a><a name=\"_Toc319918614\"><\/a>2007<\/h3>\n<p>Benayoun, M., <em>Questions, Situations, Fusion, Intentions: Art after Technology<\/em>, Sala Parpallo, Valencia, Spain, 15<sup>th<\/sup> November 2007.<\/p>\n<p>Benayoun, M., <em>\u00c0 Travers sens<\/em>, H2PTM, Hammamet, Tunisia, 29<sup>th<\/sup> October 2007.<\/p>\n<p>Benayoun, M., <em>Terra Numerica<\/em>, table ronde, Paris Innovation Tour, Cit\u00e9 des Sciences de la Villette, Paris, France, 25<sup>th<\/sup> October 2007.<\/p>\n<p>Benayoun, M., <em>Sc\u00e9nographie interactive<\/em>, \u00c9cole des Beaux Arts, Metz, France, 22<sup>nd<\/sup> October 2007.<\/p>\n<p>Benayoun, M., <em>City Hacking, cartes \u00e0 gratter le territoire<\/em>, Programmation orient\u00e9e art, LAM, Sorbonne, Paris, 20<sup>th<\/sup> October 2007.<\/p>\n<p>Benayoun, M., <em>De <\/em><em>l\u2019immersion<\/em><em> \u00e0 la fusion critique<\/em>, LAM, Universit\u00e9 Paris 1, Fracne, 16<sup>th<\/sup> October 2007.<\/p>\n<p>Benayoun, M., <em>Digital Wandering: from Immersion to Critical Fusion<\/em>, Nasher Museum of Art, Duke University, USA, 12<sup>th<\/sup> September 2007.<\/p>\n<p>Benayoun, M., <em>Art and Dynamic Semantic Spaces<\/em>, Universit\u00e9 de Kalamoun, Syria, June 2007.<\/p>\n<p>Benayoun, M., <em>Mod\u00e8les transactionnels symboliques et complexit\u00e9,<\/em> colloque Intelligences artificielles et complexit\u00e9, vers les univers distribu\u00e9s, universit\u00e9 Paris 8, France, May 2007.<\/p>\n<p>Benayoun, M., <em>Art, after Television, after Technology, after Art<\/em>, Input 2007, Lugano, Switzerland, May 2007.<\/p>\n<p>Benayoun, M., <em>Fusion critique, de l\u2019espace urbain et de ses d\u00e9rives num\u00e9riques<\/em>, Colloque Hyperurbain, Universit\u00e9 Paris 8, France, March 2007.<\/p>\n<p>Benayoun, M., <em>Design comportemental et intelligence artificielle<\/em>, Lip6, Universit\u00e9 Paris 6, Paris, February 2007.<\/p>\n<p>Benayoun, M., <em>Parcours d\u2019artiste<\/em>, Le Cube, Acad\u00e9mie de Versailles, France, February 2007.<\/p>\n<p>Benayoun, M., <em>Des \u00e9motions \u00e0 la d\u00e9charge<\/em>, Couvent des R\u00e9collets, Paris, February 2007.<\/p>\n<p>Benayoun, M., <em>L\u2019art hors cadre<\/em>, Ecole des Beaux Arts de Monte Carlo, Imagina Monaco, January 2007.<\/p>\n<p>Benayoun, M., <em>Shut Up and Feel!<\/em> Architecture as a Social Dialogue, Workshop, Universit\u00e9 Polytechnique de Vienne, Vienna, Austria, January 2006.<\/p>\n<h3><a name=\"_Toc308973516\"><\/a><a name=\"_Toc240113482\"><\/a><a name=\"_Toc238885474\"><\/a><a name=\"_Toc319918615\"><\/a>2006<\/h3>\n<p>Benayoun, M., <em>L\u2019action se d\u00e9roule au fond de l\u2019image \u00e0 gauche<\/em>, Heure Exquise, Mus\u00e9e des Beaux Arts, Lille, France, November 2007.<\/p>\n<p>Benayoun, M., <em>Immersion Situation: Metaphysics of Games<\/em>, Mechanics of Human Dialogue, Rotterdam, Netherlands, October 2006.<\/p>\n<p>Benayoun, M., <em>Short Cuts\u00a0: c\u2019est pas du cin\u00e9ma<\/em>, Festival du cin\u00e9ma M\u00e9diterran\u00e9en, Montpellier, France, October 2006<\/p>\n<p>Benayoun, M., <em>D\u00e9rives singuli\u00e8res de la photographie<\/em>, Rencontres photographiques, Arles, France, July 2006.<\/p>\n<p>Benayoun, M., <em>Abusage des interfaces<\/em>, Interfaces, Universit\u00e9 Paris 8, Saint-Denis, France, June 2006.<\/p>\n<p>Benayoun, M., <em>Proxima<\/em>, Ch\u00e2teau Karoly, Fehervarcsurgo, Hungary, June 2006.<\/p>\n<p>Benayoun, M., <em>Trafiquant d\u2019\u00e9motions\u00a0: le jeu dans l\u2019art num\u00e9rique<\/em>, Ecole des Beaux Arts de Poitiers, France, June 2006.<\/p>\n<p>Benayoun, M., <em>La cartographie \u00e9motionnelle de la plan\u00e8te<\/em>, Festival de la 4\u00e8me dimension, Nice, Sophia Antipolis, France, June 2006.<\/p>\n<p>Benayoun, M., <em>La classe \u00e9lectrique et la disparition de l\u2019ordinateur<\/em>, Colloque CIUEN, l\u2019Universit\u00e9 \u00e0 l\u2019\u00e8re num\u00e9rique, Cit\u00e9 des Sciences de la Villette, Paris, France, May 2006.<\/p>\n<p>Benayoun, M., <em>Art Situations and Critical Fusion<\/em>, Modern Museum, Stockholm, Sweden, April 2006.<\/p>\n<p>Benayoun, M., <em>Situations et fusion critique<\/em>, Observatoire des politiques Culturelles, Grenoble, France, May 2006.<\/p>\n<p>Benayoun, M., <em>Education, Cr\u00e9ation, R\u00e9v\u00e9lation, Transmission<\/em>, Mediare la Scuola, Indire, Florence, Italy, March 2006.<\/p>\n<p>Benayoun, M., <em>La M\u00e9canique des \u00e9motions<\/em>, Institut Fran\u00e7ais de Berlin, Germany, February 2006.<\/p>\n<p>Benayoun, M., <em>L\u2019Art immersif et ses d\u00e9bordements, rencontre avec Maurice Benayoun et ses invit\u00e9s,<\/em> Le Cube, Issy les Moulineaux, Paris, France, January 2006<\/p>\n<p>Benayoun, M., <em>Internet, les artistes et le Peer to Peer<\/em>, Rencontres d\u2019Autrans, France, January 2006.<\/p>\n<h3><a name=\"_Toc308973517\"><\/a><a name=\"_Toc240113483\"><\/a><a name=\"_Toc238885475\"><\/a><a name=\"_Toc319918616\"><\/a>2005<\/h3>\n<p><em>IN-OUT, la cr\u00e9ation transactionnelle<\/em>, H2PTM, IN-OUT, Universit\u00e9 Paris 8, Saint Denis, November 2005.<\/p>\n<p><em>Proxima, closer to experience<\/em>, Schloss Br\u00f6llin, ACCR, Germany, November 2005.<\/p>\n<p><em>La mus\u00e9ographique en acte<\/em>, ICHIM 05, Biblioth\u00e8que Nationale de France, Paris, September 2005.<\/p>\n<p><em>Escape Virtuality<\/em>, VR Futures, Salford University, Manchester, UK, 2005<\/p>\n<p><em>Cosmopolis, VR, Museography: Unshaping the City and the Emotions<\/em>, University of Tongi, Shanghai, China, May 2005<\/p>\n<p><em>Digital Image : Just Dig It!<\/em>, Universit\u00e9 de Santa Barbara (UCSB), USA, March 2005.<\/p>\n<p><em>Back to Reality, from Immersion to Critical Fusion,<\/em> UCLA, Los Angeles, California, USA, March 2005.<\/p>\n<p><em>Media Art, Early and Recent Works<\/em>, UCSD, San Diego, California, USA, mars 2005.<\/p>\n<p><em>CITU, excenter for new media art<\/em>, Transmediale Berlin, Germany, February 2005.<\/p>\n<p><em>Multim\u00e9dia et sc\u00e9nographie<\/em>, round table, SITEM, Paris, February 2005<\/p>\n<p><em>Quelques dispositifs interactifs et autres pratiques r\u00e9cr\u00e9atives de survie<\/em>, Workshop, \u00c9cole des Beaux Arts, R\u00e9union, January 2005.<\/p>\n<p><em>Le passage \u00e0 l\u2019acte\u00a0: de l\u2019immersion \u00e0 la fusion critique<\/em>, Ecole polytechnique d\u2019Annecy, France, January 2005.<\/p>\n<h3><a name=\"_Toc308973518\"><\/a><a name=\"_Toc240113484\"><\/a><a name=\"_Toc238885476\"><\/a><a name=\"_Toc319918617\"><\/a>2004<\/h3>\n<p><em>Workshop Immersion, Ars Numerica<\/em>, Montb\u00e9liard, France, December 2004.<\/p>\n<p><em>Immersion et fusion critique<\/em>, Colloque, Immersion et performance, Nic\u00e9phore Days, Chalon sur Sa\u00f4ne, France, November 2004.<\/p>\n<p><em>Recherche artistique et cr\u00e9ation technologique<\/em>, table ronde, Nic\u00e9phore Days, Chalon sur Sa\u00f4ne, France, November 2004.<\/p>\n<p><em>Parcours num\u00e9riques<\/em>, Universit\u00e9 du Val de Marne, France, November 2004.<\/p>\n<p><em>Immersion, Situation and Critical Fusion<\/em>, DEAF 04, Rotterdam, Netherlands, November 2004.<\/p>\n<p><em>Work and research,<\/em> conf\u00e9rence, University of Beijing, China, November 2004.<\/p>\n<p><em>Dynamic Architectures of Communication<\/em>, <em>from Immersion to Critical Fusion<\/em>, Summit Internet and Multimedia, Beijing, China, October 2004.<\/p>\n<p><em>Entretiens Jacques Cartier<\/em>, SAT, Montr\u00e9al, Canada, October 2004.<\/p>\n<p><em>Cr\u00e9ation \/ Recherche<\/em>, cl\u00f4ture journ\u00e9es Villette Num\u00e9rique, Cyberbase, Cit\u00e9 des sciences et de l&#8217;industrie Paris, September 2004.<\/p>\n<p><em>From Television to Immersion<\/em>, Royal University College of Fine Art, Stockholm, Sweden, September 2004.<\/p>\n<p><em>De L&#8217;immersion \u00e0 la fusion, le virtuel en situations<\/em>, Colloque de Cerisy, France, July 2004<\/p>\n<p><em>Dimension artistique et socio-\u00e9conomique de la cr\u00e9ation num\u00e9rique<\/em>, Universit\u00e9 de Rouen, UFR de psychologie, sociologie, sciences de l&#8217;\u00e9ducation, France, June 2004.<\/p>\n<p><em>Recherche et cr\u00e9ation dans le champ &#8220;innommable&#8221; des m\u00e9dias \u00e9mergents<\/em>, Rencontres art et multim\u00e9dia, Finnish Institute, Paris, June 2004.<\/p>\n<p><em>Le virtuel \u00e0 l&#8217;oeuvre dans le paysage num\u00e9rique<\/em>, Ecole des Beaux Arts de la R\u00e9union, R\u00e9union, June 2004.<\/p>\n<p><em>From Immersion to Critical Fusion<\/em>, Digital Avant Garde, Austrian Cultural Forum, New York, NY, USA, May 2004.<\/p>\n<p><em>Art en \u00e9change, Nord Sud Est Ouest<\/em>, \u00c9cole des Beaux Arts de Metz, France, May 2004.<\/p>\n<p><em>Nouvelles formes de la cr\u00e9ation num\u00e9rique<\/em>, Observatoire des politiques culturelles, Grenoble, France, May 2004.<\/p>\n<p><em>Dispositifs interactifs et autres pratiques r\u00e9cr\u00e9atives de survie<\/em>, UCOI, R\u00e9union, April 2004.<\/p>\n<p><em>Enjeux esth\u00e9tiques et politiques du num\u00e9rique<\/em>, UCOI, Universit\u00e9 de la Communication de l&#8217;Oc\u00e9an Indien, R\u00e9union, April 2004.<\/p>\n<p><em>Qu&#8217;est-ce que le contemporain?<\/em>, Ecole d&#8217;architecture de Normandie, Rouen, France, April 2004.<\/p>\n<p><em>De la synth\u00e8se \u00e0 la fusion critique,<\/em> Institut National Polytechnique de Grenoble, France, February 2004.<\/p>\n<h3><a name=\"_Toc308973519\"><\/a><a name=\"_Toc240113485\"><\/a><a name=\"_Toc238885477\"><\/a><a name=\"_Toc319918618\"><\/a>2003<\/h3>\n<p>Cr\u00e9ation num\u00e9rique et art contemporain, Observatoire des politiques culturelles, Grenoble, France, December 2003.<\/p>\n<p><em>Enjeux esth\u00e9tiques du num\u00e9rique<\/em>, Ecole Nationale Sup\u00e9rieure des Beaux Arts, Paris, November 2003.<\/p>\n<p><em>CITU et cr\u00e9ation interactive<\/em>, Maison Europ\u00e9enne de la Photographie, Paris, 27th September 2003.<\/p>\n<p><em>Transdisciplinarit\u00e9 virtuelle, con-fusion et sens dessus dessous<\/em>, H2PTM, Cr\u00e9er du sens \u00e0 l&#8217;\u00e8re du num\u00e9rique, Universit\u00e9 Paris 8, 26<sup>th<\/sup> September 2003.<\/p>\n<p><em>CITU et art num\u00e9rique<\/em>, FRAAP, Paris, September 2003.<\/p>\n<p><em>L&#8217;Art immersif et apr\u00e8s&#8230;,<\/em> Digital Art, ICHIM, International Cultural Heritage Informatics Meeting, September 2003.<\/p>\n<p><em>Deconversation<\/em>, performance avec Steve Mann, Pierre Levy et Derrick de Kerckhove, Deconism Gallery, Toronto, Canada, August 2003.<\/p>\n<p><em>Carbon vs silicon<\/em>, Banff Centre, Alberta, Canada, August 2003.<\/p>\n<p><em>Art virtuel et mus\u00e9ographie<\/em>, Ingenirium, Laval, France, June 2003.<\/p>\n<p><em>References Virtuelles<\/em>, Remix conference, IRCAM, Paris, 2003.<\/p>\n<p><em>G\u00e9n\u00e9rateur de failles psychologiques int\u00e9gr\u00e9, 2013<\/em>, conf\u00e9rence-fiction, RIAM, La Belle de Mai, Marseille, France, April 2003.<\/p>\n<p><em>Art num\u00e9rique<\/em>, exposition Et Voil\u00e0 le Travail, Montreuil, France, March 2003.<\/p>\n<p><em>Patrimoine et Multim\u00e9dia<\/em>, Fontevraud Abbey, France, March 2003.<\/p>\n<p><em>Art interactif et r\u00e9alit\u00e9 virtuelle<\/em>, Ecole Nationale Sup\u00e9rieure des Telecoms, Paris, France, February 2003<\/p>\n<p><em>Architecture organique<\/em>, Prospective 2100, CNRS, France, February 2003.<\/p>\n<p><em>Oeuvres interactives<\/em>, Conservatoire National des Arts et M\u00e9tiers, Paris, January 2003.<\/p>\n<p><em>Art virtuel<\/em>, Ecole des Beaux Arts, R\u00e9union, January 2003.<\/p>\n<p><em>Cr\u00e9ation num\u00e9rique et r\u00e9alit\u00e9 virtuelle<\/em>, ILOI, R\u00e9union, January 2003.<\/p>\n<h3><a name=\"_Toc308973520\"><\/a><a name=\"_Toc240113486\"><\/a><a name=\"_Toc238885478\"><\/a><a name=\"_Toc319918619\"><\/a>2002<\/h3>\n<p><em>Repr\u00e9sentation\/situation<\/em>, fluidit\u00e9 et rugosit\u00e9 du virtuel, Artmedia 8, CFCE, Paris, November 2002<\/p>\n<p><em>Le jardin virtuel et autres d\u00e9rives de la nature<\/em>, colloque Le virtuel et le lierre, Fontevraud Abbey, October 2002.<\/p>\n<p><em>Net Lecture<\/em>, EVL, Electronic Visualisation Lab, University of Illinois, Chicago, USA, September 2002.<\/p>\n<p><em>Artistic F[r]ictions: Roughing Up Digital Space<\/em>, Digital Terror, CTheory Multimedia, Tim Murray, Cornell University, Ithaca, USA, September 2002.<\/p>\n<p><em>Maurice Benayoun\u2019s Works<\/em>, School for Visual Arts, Kathy Brew seminar, New York, USA, September 2002.<\/p>\n<p><em>Watch-Out! Wireless and recent works<\/em>, University of Seoul, South Korea, September 2002.<\/p>\n<p><em>Projet de station de m\u00e9tro interactive \u00e0 Paris<\/em>, Alliance fran\u00e7aise, Salvador da Bahia, Brazil, August 2002.<\/p>\n<p><em>Installations 3D et environnements interactifs<\/em>, Goethe institut, Salvador da Bahia, Brazil, August 2002.<\/p>\n<p><em>Why history of art will probably forget Maurice Benayoun&#8217;s Art Work ?<\/em>, Emo\u00e7ao Artificial, Itau Cultural, S\u00e3o Paulo, Brazil, August 2002.<\/p>\n<p><em>De l&#8217;art de la situation \u00e0 la sc\u00e9nographie organique<\/em>, Colloque Poli\u00e9ri, Biblioth\u00e8que Nationale de France, June 2002.<\/p>\n<p><em>De l&#8217;art virtuel, le quotidien augment\u00e9<\/em>, La nouvelle interaction homme environnement, S\u00e9minaire X Aristote, Ecole Polytechnique, France, June 2002.<\/p>\n<p><em>R\u00e9alit\u00e9 Virtuelle et Patrimoine<\/em>, Fontevraud Abbey, May 2002.<\/p>\n<p><em>Parcours d\u2019artiste<\/em>, conf\u00e9rence, Ecole des Beaux Arts de Poitiers, France, April 2002.<\/p>\n<p><em>La rencontre<\/em>, conf\u00e9rence, Abbaye de Royaumont, France, April 2002.<\/p>\n<p><em>Art et cognition dans une perspective \u00e9volutionnaire<\/em>, conf\u00e9rence, Ecole Normale Sup\u00e9rieure (ENS Ulm), Paris, April 2002.<\/p>\n<p><em>European Workshop on Culture and Technology<\/em>, IST, Pistoia, Italy, March 2002.<\/p>\n<p><em>Cr\u00e9ation artistique et intelligence artificielle<\/em>, conf\u00e9rence, Ecole Nationale Sup\u00e9rieure des Telecom (ENST), France, March 2002<\/p>\n<p><em>Festival du Film de Bruxelles<\/em>, Conf\u00e9rence, ANIMA, Belgium, February 2002<\/p>\n<p><em>Parcours d\u2019artiste<\/em>, Conservatoire National des Arts et M\u00e9tiers, Paris, January 2002<\/p>\n<p><em>L\u2019auteur en question<\/em>, colloque France Culture\/SCAM, Centre Pompidou, Paris, January 2002<\/p>\n<h3><a name=\"_Toc308973521\"><\/a><a name=\"_Toc240113487\"><\/a><a name=\"_Toc319918620\"><\/a>2001<\/h3>\n<p><em>Travaux r\u00e9cents<\/em>, Conf\u00e9rence Sorbonne, Paris, December 2001.<\/p>\n<p><em>Le r\u00e9seau et la cr\u00e9ation<\/em>, s\u00e9minaire Transfert, Paris, December 2001.<\/p>\n<p><em>The Ultimate Audio-visual Experience<\/em>, IST, Dusseldorf, Germany, December 2001.<\/p>\n<p><em>Media Space<\/em>, WAND 5, Stuttgart, Germany, November 2001.<\/p>\n<p><em>From virtual to public space<\/em>, conf\u00e9rence CAST 01, Franhaufer Institute, Bonn, Germany, September 2001.<\/p>\n<p><em>Behind the scene<\/em>, Ars Electronica Festival, Linz, Austria, September 2001.<\/p>\n<p><em>Dynamic Space and Interactive practices<\/em>, conf\u00e9rence et workshop, University of Stuttgart, Germany, July 2001.<\/p>\n<p><em>Master class<\/em>, Television Festival, Banff, Canada, June 2001.<\/p>\n<p><em>Cyberpitch<\/em>, table ronde et jury, Television Festival, Banff, Canada, June 2001.<\/p>\n<p><em>\u00c9tats de la recherche<\/em>, ECM, Maison Populaire de Montreuil, France, June 2001.<\/p>\n<p><em>Le virtuel dans l\u2019art<\/em>, ASTI, Cit\u00e9 des Sciences de la Villette, France, April 2001.<\/p>\n<p><em>Art et virtuel<\/em>, Mus\u00e9e de Corte, France, February 2001.<\/p>\n<p><em>Art et multim\u00e9dia<\/em>, Journ\u00e9es de l&#8217;enseignement multim\u00e9dia, Acad\u00e9mie de Versailles, CNIT, la D\u00e9fense, France, February 2001.<\/p>\n<p><em>Cr\u00e9ations Interactives<\/em>, Carrefour de l&#8217;image de l&#8217;Oc\u00e9an Indien, L&#8217;ILOI, Le Port, R\u00e9union, February 2001<\/p>\n<h3><a name=\"_Toc308973522\"><\/a><a name=\"_Toc240113488\"><\/a><a name=\"_Toc238885479\"><\/a><a name=\"_Toc319918621\"><\/a>2000<\/h3>\n<p><em>L&#8217;art num\u00e9rique est-il contemporain?<\/em> Table ronde, ISEA 2000, Forum des images, Paris, December 2000.<\/p>\n<p><em>Pratiques artistiques, recherches actuelles<\/em>, la Sorbonne, ISEA 2000, Paris, 9<sup>th<\/sup> December 2000.<\/p>\n<p><em>Architecture+Media<\/em>\u00a0: explorer l&#8217;architecture, table ronde, Institut Fran\u00e7ais d&#8217;Architecture, Paris, December 2000<\/p>\n<p><em>Art, Design et interactivit\u00e9<\/em>, ISEA 2000, Forum des Images, Paris, 8<sup>th<\/sup> December 2000.<\/p>\n<p><em>Rencontres europ\u00e9ennes de la jeune cr\u00e9ation num\u00e9rique<\/em>, portrait d&#8217;auteur, Valenciennes, France, November 2000.<\/p>\n<p><em>Les protos et l&#8217;art num\u00e9rique<\/em>, SAT, Festival du Cin\u00e9ma et des Nouveaux M\u00e9dias, Montreal, Canada, October 2000.<\/p>\n<p><em>Interactive and VR creations<\/em>, World@rt, VRCenter Nord, \u00c5lborg, Denmark, October 2000<\/p>\n<p><em>Methodology in VR concept development<\/em>, World@rt, VRCenter Nord, Aalborg, Danemark, octobre 2000.<\/p>\n<p><em>Voila, La m\u00e9moire<\/em>, Mus\u00e9e d&#8217;art moderne de la ville de Paris, Paris, September 2000.<\/p>\n<p><em>Velocity in Cultural Development<\/em>, Culture on the Move, Hanover, Germany, September 2000.<\/p>\n<p><em>Vision interactive, des Quarxs \u00e0 Art Impact<\/em>, Prix Italia, Bologne, Italy, September 2000.<\/p>\n<p><em>L&#8217;esth\u00e9tique du Virtuel<\/em>, Prix Italia, Bologne, Italy, September 2000.<\/p>\n<p><em>Art Outsiders, Le virtuel<\/em>, Passage \u00e0 l&#8217;art, Maison Europ\u00e9enne de la photographie, Paris, France, September 2000.<\/p>\n<p><em>Etat des arts de la r\u00e9alit\u00e9 virtuelle<\/em>, Table ronde Laval Virtual, Laval, France, May 2000<\/p>\n<p><em>Cr\u00e9ations interactives et r\u00e9alit\u00e9 virtuelle<\/em>, Observatoire des politiques culturelles, Le Magasin, Grenoble, France, 16<sup>th<\/sup> May 2000.<\/p>\n<p><em>Utopie et cr\u00e9ation interactive<\/em>, Utopi@, le Grand Hornu, Belgium, 24<sup>th<\/sup> March 2000.<\/p>\n<p><em>Cr\u00e9ations interactives<\/em>, II\u00e8me symposium mondial des technologies de l&#8217;information (FWS), Futuroscope, Poitiers, Frnace, March 2000.<\/p>\n<p><em>Nouveaux syst\u00e8mes d&#8217;imagerie en 3 dimensions<\/em>, applications d\u00e9veloppements et perspectives, II\u00e8me symposium mondial des technologies de l&#8217;information (FWS), Futuroscope, Poitiers, France, February 2000.<\/p>\n<p><em>Situations en question. Pratiques interrogatives, de la vid\u00e9o au virtuel<\/em>, CRECA, Universit\u00e9 de Paris 1, France, 24<sup>th<\/sup> February 2000.<\/p>\n<p><em>Emotion et interactivit\u00e9<\/em>, table ronde, IMAGINA, Paris, February 2000.<\/p>\n<p><em>Crossing Talks, Communication Rafting<\/em>, conf\u00e9rence: Interactivit\u00e9+Immersion=la nouvelle dimension, IMAGINA, Monte Carlo, February 2000.<\/p>\n<p><em>L&#8217;attente des artistes face aux technologies<\/em>, Table ronde PRIAMM, IMAGINA, Monte Carlo, February 2000.<\/p>\n<h3><a name=\"_Toc308973523\"><\/a><a name=\"_Toc240113489\"><\/a><a name=\"_Toc238885480\"><\/a><a name=\"_Toc319918622\"><\/a>1999<\/h3>\n<p><em>Virtual Reality and Art<\/em>, Virtual Reality Software and Technology (VRST), University College London, London, UK, 22<sup>nd<\/sup> December 1999.<\/p>\n<p><em>Un art coupable mais toujours libre<\/em>, Pendulum Symposium, Mediaterra, Athens, December 1999.<\/p>\n<p><em>Le ZA Profiler en action dans le Tunnel<\/em>, ReViCo (R\u00e9alit\u00e9 Virtuelle et Cognition), ENST, Paris, 15<sup>th<\/sup> December 1999.<\/p>\n<p><em>Crossing Talks<\/em>, Institut fran\u00e7ais de Tokyo, Tokyo, Japan, October 1999.<\/p>\n<p><em>L&#8217;\u00e9thique otaku : tous seuls ensemble, la crise de contact et autres troubles des sens<\/em>, colloque OTAKU, Maison de la Culture du Japon, Paris, 17<sup>th<\/sup> September 1999.<\/p>\n<p><em>Siggraph 99<\/em>, Experiential Computer Art, Los Angeles, California, USA, 12<sup>th<\/sup> Augusts 1999.<\/p>\n<p><em>Intelligence connective<\/em>, Workshop, FWS Sympsium, Futuroscope, Poitiers, France, March 1999.<\/p>\n<p><em>Connective Intelligence<\/em>, Workshop, Mediatech &#8217;99, San Miniato, Italy, January 1999.<\/p>\n<p><em>Metaphorical architecture for virtual worlds<\/em>, Back to the CAVE, Stuttgarter Filmwinter Festival, Stuttgart, Germany, 16<sup>th<\/sup> January 1999.<\/p>\n<h3><a name=\"_Toc308973524\"><\/a><a name=\"_Toc240113490\"><\/a><a name=\"_Toc238885481\"><\/a><a name=\"_Toc319918623\"><\/a>1998<\/h3>\n<p><em>Art and VR<\/em>, conference, Keio University, Tokyo, Japan, December 1998.<\/p>\n<p><em>Art and Science symposium<\/em>, Hakone, Japan, November-December 1998.<\/p>\n<p><em>World Skin<\/em>, Ars Electronica, Linz, September 1998.<\/p>\n<p><em>Communicating Culture<\/em>, Getty Center, Los Angeles, California, USA, October 1998.<\/p>\n<p><em>Artist talk<\/em>, Siggraph &#8217;98, Orlando, Florida, USA, August 1998.<\/p>\n<p><em>Crossing Talks, Pour une \u00e9cologie des m\u00e9dias<\/em>, 3\u00e8me rencontres internationales art-cinema-vid\u00e9o-ordinateur, Paris, April 1998.<\/p>\n<p><em>Nouvelles technologies, image et r\u00e9seaux<\/em>, journ\u00e9es AMCSTI, Cit\u00e9 des Sciences de la Villette, Paris, April 1998.<\/p>\n<p><em>F\u00eate de l&#8217;Internet<\/em>, conference, Centre culturel canadien, Paris, March 1998.<\/p>\n<p><em>Virtual Communities<\/em>, Madeira Technopolo, Madeira, Portugal, February 1998.<\/p>\n<p><em>Rencontres ville, architecture et nouvelles technologies<\/em>, Arc en R\u00eave, Bordeaux, France, January 1998.<\/p>\n<h3><a name=\"_Toc308973525\"><\/a><a name=\"_Toc240113491\"><\/a><a name=\"_Toc238885482\"><\/a><a name=\"_Toc319918624\"><\/a>1997<\/h3>\n<p><em>Un safari photo au pays de la guerre<\/em>, Op\u00e9ra Totale, Venice, Italy, November 1997.<\/p>\n<p><em>Art\u00a0: nouvelles pratiques num\u00e9riques. <\/em>1er forum de l&#8217;an 2000, Lyon, France, October 1997.<\/p>\n<p><em>L\u2019\u0153uvre est au fond de l&#8217;image \u00e0 gauche<\/em>, ICHIM 97, the Louvre, Paris, September 1997.<\/p>\n<p><em>Computer Construction of World Laws<\/em>, Art as World Construction, Universit\u00e9 of Aalborg, Denmark, May 1997.<\/p>\n<p><em>Art as World Construction<\/em>, Universit\u00e9 of Odense, Denmark, May 1997.<\/p>\n<p><em>L&#8217;oeuvre d&#8217;art et sa reproduction \u00e0 l&#8217;\u00e8re des m\u00e9dias interactifs<\/em>, Mus\u00e9e virtuel, CRI\/Louvre\/Sorbonne, France, April 1997.<\/p>\n<p><em>Corps et pratique artistique<\/em>, Cergy, France, April 1997.<\/p>\n<p><em>D\u00e9cor et nouvelles technologies de l&#8217;image<\/em>, FEMIS, Paris, March 1997.<\/p>\n<h3><a name=\"_Toc308973526\"><\/a><a name=\"_Toc240113492\"><\/a><a name=\"_Toc238885483\"><\/a><a name=\"_Toc319918625\"><\/a>1996<\/h3>\n<p><em>Espaces Virtuels m\u00e9taphoriques<\/em>, CAD Forum, Zagreb, Croatia, November 1996.<\/p>\n<p><em>Quand l&#8217;homme de l&#8217;\u00e8re num\u00e9rique finira-t-il de descendre de l&#8217;arbre ?<\/em> Cyber@rt, Valencia, Spain, November 1996.<\/p>\n<p><em>Le Diable est-il Courbe ? et l&#8217;Ecriture Interactive<\/em>, Table ronde : Univers virtuels et comportements autonomes, Etats G\u00e9n\u00e9raux de l&#8217;Ecriture Interactive, Videoth\u00e8que de Paris, France, October 1996.<\/p>\n<p><em>Les M\u00e9tamorphoses de l&#8217;\u0153uvre<\/em>, Table ronde F.A.U.S.T., Parc des Expositions de Toulouse, France, October 1996.<\/p>\n<p><em>Mediartec &#8217;96<\/em>, Florence, Italy, May 1996.<\/p>\n<p><em>R\u00e9v\u00e9lations virtuelles: les avatars de la v\u00e9rit\u00e9<\/em>, La Musique et l&#8217;Image : vers de nouvelles interactions? IRCAM, Paris, June 1996.<\/p>\n<p><em>Un printemps d&#8217;artistes<\/em>, Ars Multim\u00e9dia, Maison de la Culture de Metz, France, March 1996.<\/p>\n<p><em>2005 l&#8217;Odyss\u00e9e du Multim\u00e9dia<\/em>, conf\u00e9rence cyberm\u00e9dia, Paris, January 1996.<\/p>\n<p><em>Les mutations de l&#8217;\u00e9criture interactive<\/em>, Conservatoire europ\u00e9en d&#8217;\u00e9criture audiovisuelle, Paris, January 1996.<\/p>\n<h3><a name=\"_Toc308973527\"><\/a><a name=\"_Toc240113493\"><\/a><a name=\"_Toc238885484\"><\/a><a name=\"_Toc319918626\"><\/a>1995<\/h3>\n<p><em>The Quarxs, Advanced Animation Techniques<\/em>, French American Animation Conference, New York, USA May 1995.<\/p>\n<p><em>La Gen\u00e8se du r\u00e9alisme interactif<\/em>, L&#8217;art du virtuel, Imagina, Monte Carlo, February 1995.<\/p>\n<h3><a name=\"_Toc308973528\"><\/a><a name=\"_Toc240113494\"><\/a><a name=\"_Toc238885485\"><\/a><a name=\"_Toc319918627\"><\/a>1994<\/h3>\n<p><em>Adam et Eve chass\u00e9s du virtuel, r\u00e9alit\u00e9s de la dimension interactive<\/em>, le Vivant et le Virtuel, Th\u00e9\u00e2tre 95, Cergy-Pontoise, France, December 1994.<\/p>\n<p><em>L&#8217;A.M.E. et la r\u00e9alit\u00e9 virtuelle<\/em>, Assises du M\u00e9tafort, Aubervilliers, Paris, France, October 1994.<\/p>\n<p><em>Cin\u00e9ma et images de synth\u00e8se<\/em>, Universit\u00e9 d&#8217;\u00e9t\u00e9, Enseigner le cin\u00e9ma, pratique et enjeux, Universit\u00e9 de Lyon, France, July 1994.<\/p>\n<p><em>Les Quarxs<\/em>, Ars Electronica, Linz, Austria, June 1994.<\/p>\n<p><em>Les Quarxs<\/em>, M\u00e9diascape 2 Symposium for the Media, Art and Culture, Zagreb, Croatia, June 1994.<\/p>\n<p><em>Repr\u00e9sentation tridimensionnelle et cr\u00e9ation multim\u00e9dia,<\/em> TiConUno, La Cultura dell&#8217;Interattivit\u00e0, Milan, Italy, June 1994.<\/p>\n<p><em>Les Quarxs<\/em>, Digimedia, <em>La t\u00e9l\u00e9vision rencontre le multim\u00e9dia<\/em>, Geneva, Switzerland, May 1994.<\/p>\n<p><em>Nouvelles techniques, cr\u00e9ation et th\u00e9orie<\/em>, Les \u00e9tats de la cr\u00e9ation, Colloque international, Universit\u00e9 de Lyon 2, France, January 1994.<\/p>\n<!-- Begin Yuzo --><div class='yuzo_related_post style-1'  data-version='5.12.81'><!-- without result --><div class='yuzo_clearfixed yuzo__title yuzo__title'><h3>Related Works<\/h3><\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/2010\/02\/02\/art-total\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2017\/05\/arttotal-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">Art total<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/2014\/01\/01\/2014\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2017\/01\/MB_LOGO_ICO-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">2014<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/2023\/04\/06\/the-neglected-name-maurice-benayoun-by-ann-mak\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2023\/04\/MOV-Maurice-Poster-by-Ann-Mak_DSC6139-SMALL-CUT-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">\u201cThe Neglected Name Maurice Benayoun\u201d ...<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/1999\/09\/15\/crossing-talks-2\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/crosstalking-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">Crossing Talks<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/1999\/07\/12\/jardin-virtuel-de-calais\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2017\/01\/MB_LOGO_ICO-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">Jardin Virtuel de Calais<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/2002\/02\/12\/le-cybermodule\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2002\/02\/cybermodglace.2-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">Le Cybermodule<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/2019\/06\/24\/value-of-values-at-isea2019-gwangju\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2019\/07\/341A0166-1-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">Value of Values, at ISEA2019 Gwangju<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/1983\/01\/01\/1983\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2017\/01\/MB_LOGO_ICO.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">1983<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n<\/div> <style>\n\t\t\t\t\t\t\t\t.yuzo_related_post img{width:130px !important; height:120px !important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb{line-height:15px;background: !important;color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb:hover{background:#ffffff !important; -webkit-transition: background 0.2s linear; -moz-transition: background 0.2s linear; -o-transition: background 0.2s linear; transition: background 0.2s linear;;color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb a{color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb a:hover{ color:}!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb:hover a{ color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .yuzo_text {color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb:hover .yuzo_text {color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb{  margin: 0px  0px  0px  0px;   padding: 5px  5px  5px  5px;  }\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/style> <script>\n\t\t\t\t\t\t  jQuery(document).ready(function( $ ){\n\t\t\t\t\t\t\t\/\/jQuery('.yuzo_related_post').equalizer({ overflow : 'relatedthumb' });\n\t\t\t\t\t\t\tjQuery('.yuzo_related_post .yuzo_wraps').equalizer({ columns : '> div' });\n\t\t\t\t\t\t   })\n\t\t\t\t\t\t  <\/script> <!-- End Yuzo :) -->","protected":false},"excerpt":{"rendered":"<p>Conferences, lectures &amp; Talks 2024 Benayoun, M., Introducing MoBen\u2019s Moments, curated by Dr. Chen Jing, show presentation, Dec. 15, 18, 20, and 21st, 2024\u00a0 Benayoun, M., online lecture, Curating AI, AI Hokusai, Dec. 9, 2024 Benayoun, M., Talk and workshop, The Art of Prompting, The&#8230;<\/p>\n","protected":false},"author":1,"featured_media":16133,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18441","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/pages\/18441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/comments?post=18441"}],"version-history":[{"count":25,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/pages\/18441\/revisions"}],"predecessor-version":[{"id":28334,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/pages\/18441\/revisions\/28334"}],"wp:attachment":[{"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/media?parent=18441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}