{"id":18658,"date":"2001-01-11T00:10:22","date_gmt":"2001-01-10T16:10:22","guid":{"rendered":"http:\/\/benayoun.com\/moben\/2001\/01\/11\/paysage\/"},"modified":"2017-03-18T11:01:42","modified_gmt":"2017-03-18T03:01:42","slug":"paysage","status":"publish","type":"post","link":"https:\/\/benayoun.com\/zh-hans\/2001\/01\/11\/paysage\/","title":{"rendered":"Paysage virtuel (notes)"},"content":{"rendered":"<p>Le paysage est n\u00e9cessairement une repr\u00e9sentation.<\/p>\n<p>Le paysage virtuel assume doublement sa fonction.<\/p>\n<p>Non cadr\u00e9, il devient un environnement symbolique qui fait du visiteur le centre du monde. C&#8217;est aussi un monde miroir qui trouve sa source dans celui qui le regarde, quand le monde \u00e0 explorer puise sa forme et son devenir dans la pr\u00e9sence, le comportement et l&#8217;action du visiteur. Le monde devient la projection de l&#8217;autre \u00e0 l&#8217;oeuvre, la trace dynamique du passage \u00e0 l&#8217;acte, l&#8217;in-formation mouvante de la pens\u00e9e. L&#8217;auteur est alors le veilleur des mondes possibles, de mondes qui, \u00e0 l&#8217;image de certaines portes, ne sont l\u00e0 que pour nous, \u00e0 la fois hors cadre et toujours dans le champ de nos interrogations.<\/p>\n<p>mb janvier 2001<\/p>\n<!-- Begin Yuzo --><div class='yuzo_related_post style-1'  data-version='5.12.81'><!-- without result --><div class='yuzo_clearfixed yuzo__title yuzo__title'><h3>Related Works<\/h3><\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/1992\/03\/13\/ame-art-after-museum-2\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/1992\/03\/unsaspourame-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover; 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