{"id":20734,"date":"1985-05-13T11:34:58","date_gmt":"1985-05-13T03:34:58","guid":{"rendered":"http:\/\/benayoun.com\/moben\/1991\/08\/13\/pieces-a-conviction\/"},"modified":"2019-03-19T16:12:56","modified_gmt":"2019-03-19T08:12:56","slug":"pieces-a-conviction","status":"publish","type":"post","link":"https:\/\/benayoun.com\/zh-hans\/1985\/05\/13\/pieces-a-conviction\/","title":{"rendered":"Pi\u00e8ces \u00e0 conviction"},"content":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-20734 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/benayoun.com\/zh-hans\/1985\/05\/13\/pieces-a-conviction\/aberolabenayouns-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/aberolabenayouns-150x150.webp\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/aberolabenayouns-150x150.webp 150w, https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/aberolabenayouns-570x570.webp 570w, https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/aberolabenayouns-500x500.webp 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/benayoun.com\/zh-hans\/1985\/05\/13\/pieces-a-conviction\/vilmouths-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/vilmouths-150x150.webp\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/vilmouths-150x150.webp 150w, https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/vilmouths-570x570.webp 570w, https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/vilmouths-500x500.webp 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/benayoun.com\/zh-hans\/1985\/05\/13\/pieces-a-conviction\/tinguelys-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/tinguelys-150x150.webp\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/tinguelys-150x150.webp 150w, https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/tinguelys-570x570.webp 570w, https:\/\/benayoun.com\/wp-content\/uploads\/2017\/03\/tinguelys-500x500.webp 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>[\/vc_column_text][vc_column_text]<strong>Documentaires de cr\u00e9ation<\/strong><br \/>\n1985, La derni\u00e8re biennale de Paris. Personne ne le savait \u00e0 l\u2019\u00e9poque. En pleine mont\u00e9e du post-modernisme je m\u2019interroge sur le sens de la pratique artistique au milieu des ann\u00e9es 80. 8 artistes contemporains seront \u00abmis en situation\u00bb, somm\u00e9s de justifier leur \u0153uvre. Ce n\u2019est que plus tard que je compris que ce travail sans sc\u00e9nario initial, cr\u00e9ant par la fiction le contexte d\u2019\u00e9mergence du film improvis\u00e9, prendrait le chemin des dispositifs interactifs jusqu\u2019\u00e0 la r\u00e9alit\u00e9 virtuelle. Lavier se retrouve dans une banque, aux heures de pointes accul\u00e9 \u00e0 tout dire sur Brandt\/Haffner. Le malaise vient du fait qu\u2019il n\u2019\u00e9tait pas pr\u00e9venu. Il est interrog\u00e9 en public sur ce qui serait pour ce dernier un vrai sujet d\u2019interrogation: son \u0153uvre, \u00ab un ready made sur un ready made \u00bb. Alberolla ne voit pas la camera qu\u2019il lui rase le visage: elle n\u2019est pas cens\u00e9e le filmer, il se sent plus libre de dire ce qu\u2019il a sur le c\u0153ur: \u00ab Vous savez qu\u2019il n\u2019y a pas la guerre ici ? \u00bb, et quand il d\u00e9couvre que c\u2019est un acteur et non le r\u00e9alisateur qui l\u2019interroge, celui qui expose un faux texte de Hegel accepte avec humour les hasards de la situation&#8230;<\/p>\n<p><strong>Pi\u00e8ces \u00e0 convictions<\/strong> s\u00e9rie de courts-m\u00e9trages documentaires de cr\u00e9ation par Maurice Benayoun (prod. Savoir au Pr\u00e9sent, Vid\u00e9oth\u00e8que de Paris, 1985) avec le soutien du Centre National des Arts Plastiques<\/p>\n<p><strong><em>Pit Stop<\/em>, Jean TINGUELY\u00a0 <\/strong><\/p>\n<p><strong><em>BRANDT\/HAFNER<\/em>, Bertrand LAVIER\u00a0 <\/strong><\/p>\n<p><strong><em>Espace Musical<\/em>, TAKIS\u00a0 <\/strong><\/p>\n<p><strong><em>Armoire paysage,<\/em> Jean Luc VILMOUTH\u00a0<\/strong><\/p>\n<p><strong><em>Par la juste mesure dans le double monde<\/em>, Martial RAYSSE\u00a0 <\/strong><\/p>\n<p><strong><em>Suzanne et les vieillards<\/em>, Jean-Michel ALBEROLA\u00a0 <\/strong><\/p>\n<p><strong><em>Le d\u00e9lassement d\u2019un peintre parisien<\/em>, Jean Le GAC\u00a0 <\/strong><\/p>\n<p><strong><em>L&#8217;usine l\u2019usine<\/em>, Bill WOODROW\u00a0 <\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<!-- Begin Yuzo --><div class='yuzo_related_post style-1'  data-version='5.12.81'><!-- without result --><div class='yuzo_clearfixed yuzo__title yuzo__title'><h3>Related Works<\/h3><\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/2020\/06\/06\/value-of-values-transactional-art-on-the-blockchain\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2020\/06\/VoV-test-1024-s4-150x150.gif') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover; 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 border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">Art total<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t  <div class=\"relatedthumb \" style=\"width:135px;float:left;overflow:hidden;text-align:center;\">  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <a  href=\"https:\/\/benayoun.com\/zh-hans\/2000\/06\/12\/architecture-scenographies-interactives\/\"  >\n\t\t\t\t\t\t\t\t\t  <div class=\"yuzo-img-wrap \" style=\"width: 135px;height:100px;\">\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"yuzo-img\" style=\"background:url('https:\/\/benayoun.com\/wp-content\/uploads\/2017\/01\/MB_LOGO_ICO-150x150.webp') 50% 50% no-repeat;width: 135px;height:100px;margin-bottom: 5px;background-size: cover;  border-radius: 5% \"><\/div>\n\t\t\t\t\t\t\t\t\t  <\/div>\n\t\t\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t\t   <span class=\"yuzo__text--title\" style=\"font-size:13px;\">Architecture sc\u00e9nographies interactives<\/span>\n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  \n\t\t\t\t\t\t\t  <\/a>\n\n\t\t\t\t\t\t  <\/div>\n<\/div> <style>\n\t\t\t\t\t\t\t\t.yuzo_related_post img{width:130px !important; height:120px !important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb{line-height:15px;background: !important;color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb:hover{background:#ffffff !important; -webkit-transition: background 0.2s linear; -moz-transition: background 0.2s linear; -o-transition: background 0.2s linear; transition: background 0.2s linear;;color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb a{color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb a:hover{ color:}!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb:hover a{ color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .yuzo_text {color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb:hover .yuzo_text {color:!important;}\n\t\t\t\t\t\t\t\t.yuzo_related_post .relatedthumb{  margin: 0px  0px  0px  0px;   padding: 5px  5px  5px  5px;  }\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/style> <script>\n\t\t\t\t\t\t  jQuery(document).ready(function( $ ){\n\t\t\t\t\t\t\t\/\/jQuery('.yuzo_related_post').equalizer({ overflow : 'relatedthumb' });\n\t\t\t\t\t\t\tjQuery('.yuzo_related_post .yuzo_wraps').equalizer({ columns : '> div' });\n\t\t\t\t\t\t   })\n\t\t\t\t\t\t  <\/script> <!-- End Yuzo :) -->","protected":false},"excerpt":{"rendered":"<p>s\u00e9rie de courts-m\u00e9trages documentaires de cr\u00e9ation<\/p>\n","protected":false},"author":1,"featured_media":20727,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[186],"tags":[],"class_list":["post-20734","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-video-zh-hans","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/posts\/20734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/comments?post=20734"}],"version-history":[{"count":3,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/posts\/20734\/revisions"}],"predecessor-version":[{"id":24680,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/posts\/20734\/revisions\/24680"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/media\/20727"}],"wp:attachment":[{"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/media?parent=20734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/categories?post=20734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/benayoun.com\/zh-hans\/wp-json\/wp\/v2\/tags?post=20734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}