Logo Logo Logo
  • HOME
  • BIO
    • Biography
    • Exhibitions
    • Publications
    • Conferences
  • ARTWORKS
    • Installations
    • Interactive Art
    • Urban media
    • Internet
    • Video
    • Out of the Dump
    • Museography
    • Photo/Print
    • Museum Design
    • Le Bazar
  • WORDS
  • THE DUMP BLOG
  • CONTACT
  • enEnglish
  • frFrançais
  • zh-hans中文
  • enEnglish
    • frFrançais
    • zh-hans中文
Search
Logo Logo Logo Logo Logo
  • HOME

  • BIO

    • Biography
    • Exhibitions
    • Publications
    • Conferences

  • ARTWORKS

    • Installations
    • Interactive Art
    • Urban media
    • Internet
    • Video
    • Out of the Dump
    • Museography
    • Photo/Print
    • Museum Design
    • Le Bazar
  • WORDS
  • THE DUMP BLOG
  • CONTACT
  • enEnglish
  • frFrançais
  • zh-hans中文
Posted at 13 Feb, 21:09h in Words
Share

Can the artist use his tools to dysplay the game, disrupt the Spectacle

— from Play to Dysplay
Search
Recent Posts
  • D.RIVE – The Layers of Reality
  • 2026
  • Beijing International Art Biennale – The Value of Human Values 
  • LET’S BUY THE USA!
  • AI, As Seen At The End Of Ownership
Categories
Archives
Tags
Marcel Duchamp Generative Poetry maieutic engine data mining Virtual Reality art installation twodees embodied interaction conceptual art World Skin appropriation Photo Hong Kong design Interactive motion Fountain virtual reality installation Arc de Triomphe documentary Crypto Currency participatory art electric mobility The Mechanics of Emotions urban exploration Just Dig/It! MindSpaces sex Hacking Art Impact Internet of things VR Tunnel Big Questions curating Collective Retinal Memory Perfume Tactical Media Reification Sublimation Critical Fusion virtual Media Art Augmented Reality robotics VR Emotion Winds PhD Media Art History Emotion Transactional Poetry infra-realism Artificial Life Text Generation Music Sk-interface Blockchain Brain Computer interaction interface internet HK Garden web art pandemic Cultural heritage music video telematic art video art big data The Art Collider Fiction net art Attention Economy artificial intelligence Televirtuality Installation Mining Ethereum Open Sky bio art BCI art video Installation Sculpture artivism Photo prints Transactional Art Exhibition design participatory engagement Video Zoom Party 3D Printing Furniture Behavioral design Urban Media crypto Generative prints softchair sound art EEG crypto art urban installation song Panopticon interactive interface Urban Media Art Telescope immersive experience Value of Values Quarxs neuro-design Threedees Tunnel VoV so so so Falling Pixels museography context-aware audio Nifty performance Architecture Design token Morphogenesis P2P surveillance urban screen color prints concept art Recommendation engine Ecology The Dump COVID19 Interactive Application Digital Narrative post-contemporary art ready made NFT Public Art soundscapes circuit bending exhibition Interactive art art science Hactivism Brain Factory FACT censorship eGonomy Generative Text AI Casino hybrid gathering Poetry 360 video Furtive Video IA scenography pandemics museographie Elsa von Freytag Loringhoven Architecture Virtual Tunnel NFTs Interactive Installation Video Furtive